{
    "data": {
        "id": 295476,
        "accession_number": "2017.5",
        "share_license_status": "CC0",
        "tombstone": "The Entombment, c. 1596. Giovanni de' Vecchi (Italian, 1536\u20131615). Pen and brown ink, brush and purple-pink wash with admixtures of white, and brush and brown wash, with graphite underdrawing; squared for transfer with graphite; sheet: 20.2 x 14.7 cm (7 15/16 x 5 13/16 in.); secondary support: 25.7 x 21.3 cm (10 1/8 x 8 3/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund, 2017.5",
        "current_location": null,
        "title": "The Entombment",
        "creation_date": "c. 1596",
        "creation_date_earliest": 1591,
        "creation_date_latest": 1596,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "Italy"
        ],
        "technique": "Pen and brown ink, brush and purple-pink wash with admixtures of white, and brush and brown wash, with graphite underdrawing; squared for transfer with graphite",
        "support_materials": [],
        "department": "Drawings",
        "collection": "DR - Italian",
        "type": "Drawing",
        "measurements": "Sheet: 20.2 x 14.7 cm (7 15/16 x 5 13/16 in.); Secondary Support: 25.7 x 21.3 cm (10 1/8 x 8 3/8 in.)",
        "dimensions": {
            "sheet": {
                "height": 0.202,
                "height_inch": 7,
                "height_inch_fraction": 0.9375,
                "width": 0.147,
                "width_inch": 5,
                "width_inch_fraction": 0.8125
            },
            "secondary support": {
                "height": 0.257,
                "height_inch": 10,
                "height_inch_fraction": 0.125,
                "width": 0.213,
                "width_inch": 8,
                "width_inch_fraction": 0.375
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [
                {
                    "id": 306886,
                    "title": "Recent Acquisitions",
                    "description": "<i>Recent Acquisitions</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 17-June 7, 2018).",
                    "opening_date": "2018-03-17T04:00:00"
                }
            ],
            "legacy": [
                {
                    "description": "The Cleveland Museum of Art (03/17/2018-06/06/2018): \"Recent Acquisitions 2014-2017\"",
                    "opening_date": "2018-03-17T00:00:00"
                }
            ]
        },
        "provenance": [],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": null,
        "early_education_description": null,
        "artlens_description": null,
        "description": "By the end of the 1500s, Michelangelo\u2019s treatment of the nude male had permeated artistic practice. Some artists (today called Mannerists) began to stray from the master\u2019s grounding in human anatomy, emphasizing instead the expressive potential that Michelangelo brought to bear on the human form. To make an emotional impact, Giovanni de\u2019 Vecchi created fluid figures with exaggerated proportions, such as the central figure of Christ that appears here. De\u2019 Vecchi used pen and purplish watercolor to render the forms of the dead Christ surrounded by Saint John the Apostle, Nicodemus, Joseph of Arimathea, the grief-stricken Virgin Mary, Saint Mary Magdalene (at Christ\u2019s feet), and their companions, who adoringly convey his body to the tomb in the upper left. This drawing was preparatory for an altarpiece for the church of Santa Prassede in Rome.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q79872432"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-2017.5-the-entombment"
            ]
        },
        "citations": [
            {
                "citation": "P. Tosini, \"Rivedendo Giovanni de' Vecchi,\" in Storia dell'arte, 82, 1994, p. 323, note 89",
                "page_number": null,
                "url": null
            },
            {
                "citation": "A. Pinelli, \"Pittura e Controriforma, 'Convenienza' e miticismo in Giovanni de' Vecchi,\" in Associazione di ricerca e documentazione per la Storia dell'arte. Ricerche di storia dell'arte. Rome: Bulzoni editore, VI, 1977, p. 58, cat. no. 5, fig. 21",
                "page_number": "58",
                "url": null
            },
            {
                "citation": "Knorn-Ezernieks, Nicola. Giovanni de' Vecchi: seine Stellung in der ro\u0308mischen Malerei um 1600 (Hildesheim-Zurich-New York, 2013., pp. 247, 330-32, cat. no. 63, illustrated",
                "page_number": "247, 330-32",
                "url": null
            },
            {
                "citation": "Peters, Emily J. and James Wehn. \u201cAcquisition Highlights: Drawings.\u201d <em>Cleveland Art: Cleveland Museum of Art Members Magazine</em> 58. no. 2 (March/April 2018): 12-13.",
                "page_number": "Reproduced and Mentioned: P. 12",
                "url": "https://archive.org/details/CMAMM2018-02/page/n5/mode/2up"
            },
            {
                "citation": "Navarrete Prieto, Benito, and Gonzalo Redi\u0301n Michaus. Disegni spagnoli e italiani del Cinquecento della Biblioteca Nacional de Espan\u0303a, Roma : De Luca editori d'arte, 2020, 228.",
                "page_number": "Reproduced: p. 228, fig. 58.1",
                "url": ""
            }
        ],
        "url": "https://clevelandart.org/art/2017.5",
        "images": {
            "annotation": null,
            "web": {
                "url": "https://openaccess-cdn.clevelandart.org/2017.5/2017.5_web.jpg",
                "width": "773",
                "height": "900",
                "filesize": "288931",
                "filename": "2017.5_web.jpg"
            },
            "print": {
                "url": "https://openaccess-cdn.clevelandart.org/2017.5/2017.5_print.jpg",
                "width": "2920",
                "height": "3400",
                "filesize": "2975294",
                "filename": "2017.5_print.jpg"
            },
            "full": {
                "url": "https://openaccess-cdn.clevelandart.org/2017.5/2017.5_full.tif",
                "width": "5390",
                "height": "6276",
                "filesize": "101515864",
                "filename": "2017.5_full.tif"
            }
        },
        "alternate_images": [],
        "creditline": "Purchase from the J. H. Wade Fund",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 295476,
        "creators": [
            {
                "id": 295477,
                "description": "Giovanni de' Vecchi (Italian, 1536\u20131615)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": "Italian painter, 1536-1615",
                "name_in_original_language": null,
                "birth_year": "1536",
                "death_year": "1615",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "2017-02-27T00:00:00-05:00",
        "sortable_date": 1591,
        "date_added_to_oa": null,
        "date_text": "c. 1596",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "object",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": null,
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [],
        "is_highlight": false,
        "updated_at": "2026-08-03 14:26:27.077000"
    }
}