id: 314241
accession number: 2018.107
share license status: CC0
url: https://clevelandart.org/art/2018.107
updated: 2024-03-26 02:01:59.693000
Ravana’s sister Shurpanakha complains that Lakshmana cut off her nose and ears, from Chapter 31 of the Aranya Kanda (Book of the Forest) of a “Shangri” Ramayana (Rama’s Journey), c. 1690–1710. Northern India, Pahari Region, Himachal Pradesh, possibly Rajput Kingdom of Mandi, court of Sidh Sen (reigned 1684–1727). Gum tempera, ink, and gold on paper; overall: 21.6 x 31.8 cm (8 1/2 x 12 1/2 in.); painting: 18.4 x 28.9 cm (7 1/4 x 11 3/8 in.). The Cleveland Museum of Art, Purchase and partial gift from the Catherine and Ralph Benkaim Collection; Severance and Greta Millikin Purchase Fund 2018.107
title: Ravana’s sister Shurpanakha complains that Lakshmana cut off her nose and ears, from Chapter 31 of the Aranya Kanda (Book of the Forest) of a “Shangri” Ramayana (Rama’s Journey)
title in original language:
series:
series in original language:
creation date: c. 1690–1710
creation date earliest: 1680
creation date latest: 1720
current location:
creditline: Purchase and partial gift from the Catherine and Ralph Benkaim Collection; Severance and Greta Millikin Purchase Fund
copyright:
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culture: Northern India, Pahari Region, Himachal Pradesh, possibly Rajput Kingdom of Mandi, court of Sidh Sen (reigned 1684–1727)
technique: Gum tempera, ink, and gold on paper
department: Indian and Southeast Asian Art
collection: Indian Art
type: Painting
find spot:
catalogue raisonne:
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CREATORS
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measurements: Overall: 21.6 x 31.8 cm (8 1/2 x 12 1/2 in.); Painting: 18.4 x 28.9 cm (7 1/4 x 11 3/8 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: [[verso, lower right corner, in Sanskrit, upside down]] aranya 31
translation:
remark:
inscription: [[recto, in the borders, indistinct Takri script]] Shurpanakhā (?)--- lankā āyī ---- rāvaṇe prati jhūth bachan boldī hoyi je tan raje bich matra (?) hoyī hai. Sri rām chandre khar dūsana sāra māre mera dheya(?) hoyā. Sri rām chandre de sath isdī ek istri ----
translation:
remark:
inscription: [[verso, top, in Takri script]] 71
translation:
remark:
inscription: [[verso, left side, in Takri script]] 71
translation:
remark:
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CURRENT EXHIBITIONS
title: Indian Gallery 242 Rotation
opening date: 2018-09-10T04:00:00
Indian Gallery 242 Rotation. The Cleveland Museum of Art (organizer) (September 10, 2018-April 7, 2019).
title: Imagining Rama's Journey (Indian Painting rotation)
opening date: 2023-03-10T05:00:00
Imagining Rama's Journey (Indian Painting rotation). The Cleveland Museum of Art, Cleveland, OH (organizer) (March 10-September 17, 2023).
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LEGACY EXHIBITIONS
* {'description': 'Indian Gallery 242 Rotation. The Cleveland Museum of Art (organizer) (September 10, 2018-April 7, 2019).', 'opening_date': '2018-09-10T00:00:00'}
* {'description': 'The Rama Epic: Hero, Heroine, Ally, Foe. Asian Art Museum of San Francisco, San Francisco, CA (organizer) (October 21, 2016-January 15, 2017).', 'opening_date': '2016-10-21T00:00:00'}
* {'description': 'Frist Art Museum, Nashville, TN (February 20-May 29, 2011); Brooklyn Museum, Brooklyn, NY (June 24-October 2, 2011).', 'opening_date': '2011-02-20T00:00:00'}
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PROVENANCE
(Walter Randal, New York, NY, sold to Ralph Benkaim)
date: 1956–July 1969
footnotes:
citations:
Catherine Glynn Benkaim and Ralph Benkaim Collection
date: December 1969–2018
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 2018–
footnotes:
citations:
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fun fact:
digital description:
wall description:
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RELATED WORKS
id: 162328
The royal priest Shatananda confirms that the four princesses of Mithila should marry the sons of King Dasharatha, from Chapter 70 of the Bala Kanda (Book of Childhood), folio 13 from a “Shangri” Ramayana (Rama’s Journey), c. 1690–1720. Northern India, Pahari Region, Himachal Pradesh, possibly Rajput Kingdom of Chamba, court of Udai Singh (reigned 1690–1720). Gum tempera and ink on paper; painting: 18.5 x 28.7 cm (7 5/16 x 11 5/16 in.); overall: 20 x 30.4 cm (7 7/8 x 11 15/16 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund 2002.6
relationship:
id: 159647
King Dasharatha sends his chief minister Sumantra to summon Rama, from Chapter 16 of the Ayodhya Kanda (Book of Ayodhya), folio 18 of a “Shangri” Ramayana (Rama’s Journey), c. 1690–1710. Northern India, Pahari Region, Himachal Pradesh, possibly Rajput Kingdom of Chamba, court of Udai Singh (reigned 1690–1720). Gum tempera and ink on paper; overall: 22.5 x 32.7 cm (8 7/8 x 12 7/8 in.). The Cleveland Museum of Art, Gift of Norman Zaworski in honor of Sherman and Ruth Lee 1996.361
relationship:
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CITATIONS
Cummins, Joan. Vishnu: Hinduism’s Blue-Skinned Savior. Grantha, 2011.
page number: Reproduced: cat. no. 80.
url:
McGill, Forest, ed. The Rama Epic: Hero, Heroine, Ally, Foe. San Francisco: Asian Art Museum, 2016.
page number: Reproduced: cat. no. 118, pp. 203, 228.
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/2018.107/2018.107_web.jpg
print: https://openaccess-cdn.clevelandart.org/2018.107/2018.107_print.jpg
full: https://openaccess-cdn.clevelandart.org/2018.107/2018.107_full.tif