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"tombstone": "Raja Sansar Chand attacking Kangra Fort, after 1782. Northern India, Pahari kingdom of Kangra. Gum tempera, ink, and gold on cotton cloth; overall with border: 81.3 x 264 cm (32 x 103 15/16 in.); painting only: 73 x 256.5 cm (28 3/4 x 101 in.). The Cleveland Museum of Art, Purchase and partial gift from the Catherine and Ralph Benkaim Collection; Severance and Greta Millikin Purchase Fund, 2018.120",
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"title": "Raja Sansar Chand attacking Kangra Fort",
"creation_date": "after 1782",
"creation_date_earliest": 1782,
"creation_date_latest": 1800,
"artists_tags": [],
"culture": [
"Northern India, Pahari kingdom of Kangra"
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"technique": "Gum tempera, ink, and gold on cotton cloth",
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"department": "Indian and Southeast Asian Art",
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"measurements": "overall with border: 81.3 x 264 cm (32 x 103 15/16 in.); Painting only: 73 x 256.5 cm (28 3/4 x 101 in.)",
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"inscription": "Inscriptions in Takri and Persian. Persian reads: \u201cOn the 23rd of the month of Kartik, Samvat 1839 (1782 AD) Sri Maharaja Sansar Chand Bahadur attached Lakkarkot (Nagrakot ?) and the fortress of Kangra, attained victory and made siege intrenchments at the fortress of Kot Kangra.\u201d",
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"inscription_remark": "At this time Sansar Chand was campaigning in the Kangra region with the support of the Sikh Jai Singh Kanheya who does not, however, appear in the present picture. But it was not until 1783 that Kangra Fort was surrendered to the Sikhs after the death of the Mughal Governor of Kangra, Saif Ali Khan. In 1786 Sansar Chand finallyy gained Kangra Fort by peaceful treaty from Jai Singh Kanheya in return for territorial concessions in the Punjab Plains (Archer, vol. 1, p. 249)",
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"title": "Pahari Paintings: Art and Stories",
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"description": "(Charles Ewart, London, England, sold to Catherine Glynn and Ralph Benkaim)",
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"date": "?\u20131976",
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"date": "1976\u20132001",
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"did_you_know": "The king is 17 years old, beardless, riding a dark brown steed in front of the camel at the far right.",
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"description": "In 1782, the 17-year-old king of Kangra fought to retake his ancestral kingdom from the Mughals, who had controlled the territory since 1620. He rides a dark brown horse in front of the camel at the far right, blending in among his army and allies.
The leftmost panel shows the residents of Kangra fleeing the conflict with their belongings on their heads to the safety of the fortress at the far left, from the walls where cannons are being fired. The main temple, built of gray stone, is in the middle of the composition, marked by red flags.",
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"citation": "Griswold, William, Cameron Kitchin, Chase F. Robinson, Cleveland Museum of Art, Cincinnati Art Museum, and National Museum of Asian Art (Smithsonian Institution). Pahari Paintings: Art and Stories, edited by Sonya Rhie Mace, Sarang Sharma, and Vijay Sharma. Cleveland, Ohio: Cleveland Museum of Art, 2026.",
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