id:			314483
accession number:	2018.177
share license status:	CC0
url:			https://clevelandart.org/art/2018.177
updated:		2019-04-11 13:58:39.593000

Rao Ram Singh’s Elephant Gone Amok, c. 1700. Northwestern India, Rajasthan, Rajput Kingdom of Kota. Opaque watercolor, ink, and gold on paper; page: 20 x 41.6 cm (7 7/8 x 16 3/8 in.). The Cleveland Museum of Art, Purchase and partial gift from the Catherine and Ralph Benkaim Collection; Severance and Greta Millikin Purchase Fund 2018.177 Purchase and partial gift from the Catherine and Ralph Benkaim Collection; Severance and Greta Millikin Purchase Fund

title:				Rao Ram Singh’s Elephant Gone Amok
title in original language:	
series:				
series in original language:	
creation date:			c. 1700
creation date earliest:		1690
creation date latest:		1710
current location:		
creditline:			Purchase and partial gift from the Catherine and Ralph Benkaim Collection; Severance and Greta Millikin Purchase Fund
copyright:			

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culture:	Northwestern India, Rajasthan, Rajput Kingdom of Kota
technique:	Opaque watercolor, ink, and gold on paper
department:	Indian and Southeast Asian Art
collection:	Indian Art
type:		Drawing
find spot:	
catalogue raisonne: 

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CREATORS

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measurements: Page: 20 x 41.6 cm (7 7/8 x 16 3/8 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

	inscription:	Inscribed in Nagari: Gaj Nahan Ram Singhji ki
	translation:	
	remark:		

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CURRENT EXHIBITIONS

	title:		Indian Gallery 242 Rotation – September 2018-April 2019
	opening date:   2018-09-10T04:00:00
	<i>Indian Gallery 242 Rotation – September 2018-April 2019</i>. The Cleveland Museum of Art (September 10, 2018-April 7, 2019).

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LEGACY EXHIBITIONS

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PROVENANCE

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fun fact: 


digital description: 


wall description: 
The maddened elephant’s ears flex forward and his tail rises up as he charges with little heed to the ropes, spears, and firebrands meant to control him. A deft use of line and crosshatching creates a sense of volume and dramatic areas of dense shadow. Spare but effective use of gold, as in the gleaming eye, further affirms the artist’s mastery of his subject, evident despite the stains and tears.<br>One of a few drawings that survive from an anonymous Kota master, this example conveys the energy and ferocity of this elephant’s maddened condition with intensity and power.
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RELATED WORKS

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CITATIONS

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/2018.177/2018.177_web.jpg
print:	https://openaccess-cdn.clevelandart.org/2018.177/2018.177_print.jpg
full:	https://openaccess-cdn.clevelandart.org/2018.177/2018.177_full.tif