id: 314500
accession number: 2018.194
share license status: CC0
url: https://clevelandart.org/art/2018.194
updated: 2023-08-24 01:24:41.528000
Royal Woman Holding a Flower, c. 1670s–80s. Northwestern India, Rajasthan, Rajput Kingdom of Bikaner. Gum tempera and gold on paper; miniature: 19.7 x 10 cm (7 3/4 x 3 15/16 in.). The Cleveland Museum of Art, Purchase and partial gift from the Catherine and Ralph Benkaim Collection; Severance and Greta Millikin Purchase Fund 2018.194
title: Royal Woman Holding a Flower
title in original language:
series:
series in original language:
creation date: c. 1670s–80s
creation date earliest: 1665
creation date latest: 1695
current location:
creditline: Purchase and partial gift from the Catherine and Ralph Benkaim Collection; Severance and Greta Millikin Purchase Fund
copyright:
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culture: Northwestern India, Rajasthan, Rajput Kingdom of Bikaner
technique: gum tempera and gold on paper
department: Indian and Southeast Asian Art
collection: Indian Art
type: Painting
find spot:
catalogue raisonne:
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CREATORS
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measurements: Miniature: 19.7 x 10 cm (7 3/4 x 3 15/16 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: 77
translation:
remark:
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CURRENT EXHIBITIONS
title: Paintings of Bikaner – Indian Gallery 242 Rotation
opening date: 2019-11-07T05:00:00
Paintings of Bikaner – Indian Gallery 242 Rotation. The Cleveland Museum of Art (organizer) (November 7, 2019-April 5, 2020).
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LEGACY EXHIBITIONS
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PROVENANCE
Catherine Glynn Benkaim and Barbara Timmer, Beverly Hills, CA, partial sale and gift to the Cleveland Museum of Art
date: ?–2018
footnotes:
citations:
The Cleveland Museum of Art, Cleveland, OH
date: 2018–
footnotes:
citations:
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fun fact:
The flowering plants on the ground echo the lush vegetation of the Qur'anic paradise.
digital description:
Following the model of formal imperial Mughal court portraiture, the artist has lavished care on shading the face of a royal woman and the distinctive qualities of her luxurious textiles. Details have been exquisitely rendered, including the fringe of her pink shawl with its lotus vine border and the sprigs of flowers tucked in her hair.
wall description:
Following the model of formal imperial Mughal court portraiture, the artist has lavished care on shading the face of a royal woman and the distinctive qualities of her luxurious textiles. Details have been exquisitely rendered, including the fringe of her pink shawl with its lotus vine border and the sprigs of flowers tucked in her hair. The flowering plants on the ground where she stands are also Mughal features, echoing the lush vegetation of the Qur'anic paradise.
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RELATED WORKS
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CITATIONS
Mace, Sonia Rhie. “Acquisitions 2018: Indian and Southeast Asian Art.” Cleveland Art: Cleveland Museum of Art Members Magazine vol. 59, no. 2 (March/April 2019): 26–28.
page number: Reproduced and Mentioned: p. 26
url:
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IMAGES
web: https://openaccess-cdn.clevelandart.org/2018.194/2018.194_web.jpg
print: https://openaccess-cdn.clevelandart.org/2018.194/2018.194_print.jpg
full: https://openaccess-cdn.clevelandart.org/2018.194/2018.194_full.tif