id: 315934 accession number: 2018.258 share license status: CC0 url: https://clevelandart.org/art/2018.258 updated: 2022-01-04 18:08:59.154000 Still Life with Meat, Fish, Vegetables, and Fruit, c. 1615–20. Jacob van Hulsdonck (Flemish, 1582-1647). Oil on panel, the reverse prepared with gesso; 71.5 x 104 cm (28 1/8 x 40 15/16 in.). The Cleveland Museum of Art, Gift of Janice Hammond and Edward Hemmelgarn 2018.258 title: Still Life with Meat, Fish, Vegetables, and Fruit title in original language: series: series in original language: creation date: c. 1615–20 creation date earliest: 1615 creation date latest: 1620 current location: 213 Dutch Painting creditline: Gift of Janice Hammond and Edward Hemmelgarn copyright: --- culture: technique: Oil on panel, the reverse prepared with gesso department: European Painting and Sculpture collection: P - Netherlandish-Flemish type: Painting find spot: catalogue raisonne: --- CREATORS * Jacob van Hulsdonck (Flemish, 1582-1647) - artist Flemish painter and draftsman, 1582-1647 --- measurements: 71.5 x 104 cm (28 1/8 x 40 15/16 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS * Slow Food: Dutch and Flemish Meal Still Lifes, 1600-1640. Mauritshuis, The Hague (March 9 - May 25, 2017). Cat. no. 13 * The Land We Live In…The Land We Left Behind. Hauser & Wirth, Somerset (January 20– May 7, 2018) --- PROVENANCE Johann Melchior Edler von Birkenstock [1738–1809], Vienna date: by 1809 footnotes: citations: (Artaria, Vienna, Johan Melchior Edler von Birkenstock sale, March 1811, lot 387 [not sold]) date: 1811 footnotes: citations: Antonia (Anthonie) Brentano (née von Birkenstock) [1780–1869], Frankfurt date: c. 1811 footnotes: citations: Kohlbacher, Frankfurt, Antonia von Brentano sale, April 4–6, 1870, lot 29 (purchased by seller's grandson, Emil Georg von Brentano) date: footnotes: citations: Emil Georg von Brentano [1845–1890], Frankfurt date: footnotes: citations: Presumably by descent to Franz Anton Johann von Brentano (1882–1940), Frankfurt date: footnotes: citations: Franz Anton Johann von Brentano and Marga Luise von Brentano [née von Heister; d. 1964] date: footnotes: citations: By descent to Bettina Birstein [née von Brentano; d. 1978] date: footnotes: citations: By descent to Hiltrud Michaeli (née Birstein), Saarbrücken date: footnotes: citations: (Sotheby's, London, December 5, 2012, lot 10 [as “The Property of a Lady”]) date: 2012 footnotes: citations: (Johnny van Haeften, London) date: footnotes: citations: --- fun fact: Hulsdonck thoughtfully included condiments here: butter, lemon, parsley for the trotters, and a dab of mustard for the ham. digital description: Jacob van Hulsdonck depicted a colorful array of foods, and tablewares ranging from an earthenware trencher to delicate Chinese porcelain—an expensive luxury made possible by international trade. For seventeenth-century viewers, the quantity and variety of foods would have represented a utopian world without scarcity or hunger. Partially eaten food and an overturned glass suggest that diners have just departed, leaving insects to explore the remains. wall description: This expansive composition depicts a table laid with an abundance of foods and decorative table wares ranging from a humble red earthenware trencher to delicate Chinese porcelain bowls, an expensive luxury made possible by international trade. Although all of the foodstuffs in Jacob van Hulsdonck’s painting were available in the Netherlands, for a viewer in the 1600s the quantity and variety of delicacies depicted would have represented an ideal—a utopian world without scarcity or hunger. A crumpled napkin, overturned glass, and some partially eaten food give the sense that diners have just left the table, allowing some intrepid insects to explore the remains. The bold colors and precise detail that make Hulsdonck’s painting so engaging may have been influenced by the work of Ambrosius Bosschaert, another still life painter whose work is in the CMA's collection. --- RELATED WORKS --- CITATIONS Frimmel, Theodor von. Lexikon der Wiener Gemäldesammlungen. vol. 1. München: G. Müller, 1913. page number: Mentioned: p. 160 url: P. Mason, in Dutch and Flemish Old Master Paintings (London: Johnny Van Haeften, 2013), n.p. page number: Mentioned and reproduced: no. 14 url: Slow Food: Dutch and Flemish Meal Still Lifes, 1600-1640. Mauritshuis, The Hague (March 9 - May 25, 2017). Catalogue by Quentin Buvelot, Yvonne Bleyerveld, Milou Goverde, Zoran Kwak, Anne Lenders, Fred G. Meijer, and Charlotte Rulkens. page number: Mentioned and Reproduced: pp. 142–146, 201–202, no. 13 url: The Land We Live In…The Land We Left Behind. Hauser & Wirth, Somerset (January 20– May 7, 2018) page number: url: https://www.hauserwirth.com/hauser-wirth-exhibitions/6232-the-land-we-live-in-the-land-we-left-behind --- IMAGES web: https://openaccess-cdn.clevelandart.org/2018.258/2018.258_web.jpg print: https://openaccess-cdn.clevelandart.org/2018.258/2018.258_print.jpg full: https://openaccess-cdn.clevelandart.org/2018.258/2018.258_full.tif