{
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"tombstone": "Bow Stand, 1800s. Africa, Central Africa, Democratic Republic of Congo, Luba-style carver. Wood and plant fiber; without base: 57.9 x 23 x 10 cm (22 13/16 x 9 1/16 x 3 15/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund, 2018.27",
"current_location": "108A African",
"title": "Bow Stand",
"creation_date": "1800s",
"creation_date_earliest": 1800,
"creation_date_latest": 1899,
"artists_tags": [],
"culture": [
"Africa, Central Africa, Democratic Republic of Congo, Luba-style carver"
],
"technique": "Wood and plant fiber",
"support_materials": [],
"department": "African Art",
"collection": "African Art",
"type": "Sculpture",
"measurements": "without base: 57.9 x 23 x 10 cm (22 13/16 x 9 1/16 x 3 15/16 in.)",
"dimensions": {
"without base": {
"height": 0.579,
"height_inch": 22,
"height_inch_fraction": 0.8125,
"width": 0.23,
"width_inch": 9,
"width_inch_fraction": 0.0625,
"depth": 0.1,
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"with base": {
"height": 0.632,
"height_inch": 24,
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}
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"inscriptions": [],
"exhibitions": {
"current": [
{
"id": 324225,
"title": "African art rotation",
"description": "African art rotation. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 20, 2019-October 5, 2020).",
"opening_date": "2019-02-20T05:00:00"
}
],
"legacy": [
{
"description": "Utotombo: l'art d'Afrique Noire dans les Collections Prive\u0301es Belges, Palais des Beaux-Arts, Brussels (25 March-5 June, 1988).",
"opening_date": "1988-03-25T05:00:00Z"
},
{
"description": "Luba, aux Sources du Za\u00efre, Mus\u00e9e Dapper, Paris (25 November 1993-17 April 1994).",
"opening_date": "1993-11-25T05:00:00Z"
}
]
},
"provenance": [
{
"description": "Ex: Belgian Colonial Family",
"citations": [],
"footnotes": null,
"date": null,
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{
"description": "Dr. Pierre Danhaive, Namur, Belgium",
"citations": [],
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"date": null,
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{
"description": "Christine Valluet, Paris, France",
"citations": [],
"footnotes": null,
"date": null,
"sortorder": 3
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{
"description": "(Dr. William McGuire, Minnesota, sold to the Cleveland Museum of Art)",
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"footnotes": null,
"date": "\u20132018",
"sortorder": 4
},
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"footnotes": null,
"date": "2018\u2013",
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"did_you_know": "The shape of this wooden bow stand is based on a more practical version in metal used by hunters.",
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"description": "A powerful symbol of the Luba king, bow stands were ceremonial objects that resided within the king\u2019s private vicinity in the palace and were never displayed in public. Typically, bow stands depict a female figure, but the sculptor has carved a figure with ambiguously gendered human traits. This is a symbolic depiction that may allude to how divine rulers (mulopwe) were believed to have both \u201cmale\u201d and \u201cfemale\u201d character traits, which allowed this sculpture to act as a vessel for spirits of any gender.",
"external_resources": {
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"citations": [
{
"citation": "Debbaut, Jan, Dominique Favart, and G. van Geertruyen. Utotombo: l'art d'Afrique noire dans les collections prive\u0301es belges : Socie\u0301te\u0301 des Expositions du Palais des Beaux-Arts, Bruxelles, 25 mars-5 juin 1988. Bruxelles: Palais des beaux-arts, 1988.",
"page_number": "",
"url": ""
},
{
"citation": "Neyt, Franc\u0327ois. Luba: to the sources of the Zaire. Paris: Muse\u0301e Dapper, 1994.",
"page_number": "",
"url": ""
},
{
"citation": "Volper, Julien \u201c\u00c9tude Iconologique d\u2019un Porte-Fl\u00e8che Masculin,\u201d Afrique: Arch\u00e9ologie & Arts, 4 (2006).",
"page_number": "pp. 77-82",
"url": ""
},
{
"citation": "Ugochukwu-Smooth, Nzewi. \"Acquisitions 2018: African Art.\u201d Cleveland Art: Cleveland Museum of Art Members Magazine 59, no. 2 (March/April 2019): 8-9.",
"page_number": "Reproduced and Mentioned: P. 8",
"url": "https://archive.org/details/CMAMM2019-02/page/n3/mode/2up"
},
{
"citation": "Nzewi, Ugochukwu-Smooth. \u201cAcquisitions 2018: African Art.\u201d Cleveland Art: Cleveland Museum of Art Members Magazine vol. 59, no. 2 (March/April 2019): 8-9.",
"page_number": "Reproduced and Mentioned: P. 8.",
"url": ""
}
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