id: 173107 accession number: 2018.278 share license status: CC0 url: https://clevelandart.org/art/2018.278 updated: 2023-08-24 01:13:26.027000 Trivet, c. 1902–9. Attributed to Clara Wolcott Driscoll (American, 1861–1944), Tiffany Studios (American, New York, 1902–1932). Glass, mosaic, bronze; overall: 1.3 x 17.8 cm (1/2 x 7 in.). The Cleveland Museum of Art, Bequest of Charles Maurer 2018.278 title: Trivet title in original language: series: series in original language: creation date: c. 1902–9 creation date earliest: 1902 creation date latest: 1909 current location: creditline: Bequest of Charles Maurer copyright: --- culture: America, New York, late 19th-early 20th Century technique: Glass, mosaic, bronze department: Decorative Art and Design collection: Decorative Arts type: Miscellaneous find spot: catalogue raisonne: --- CREATORS * Clara Wolcott Driscoll (American, 1861–1944) - designer Cleveland Institute of Art alumni. * Tiffany Studios (American, New York, 1902–1932) - maker American jewelry and glass manufactory, 1902-1932 --- measurements: Overall: 1.3 x 17.8 cm (1/2 x 7 in.) state of the work: edition of the work: support materials: inscriptions: inscription: TIFFANY STUDIOS/NEW YORK/282820 translation: remark: --- CURRENT EXHIBITIONS title: Tiffany in Bloom: Stained Glass Lamps of Louis Comfort Tiffany opening date: 2019-10-20T04:00:00 Tiffany in Bloom: Stained Glass Lamps of Louis Comfort Tiffany. The Cleveland Museum of Art, Cleveland, OH (organizer) (October 20, 2019-June 14, 2020). --- LEGACY EXHIBITIONS --- PROVENANCE Charles Maurer [1929-2016], Cleveland, OH, bequest to the Cleveland Museum of Art date: ?–2018 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: 2018– footnotes: citations: --- fun fact: Being careful not to waste material, Louis Comfort TIffany's artisans reused small shards of leftover glass in small mosaic fancy goods such as trivets and trays. digital description: By 1900, Louis Comfort Tiffany had expanded his empire by increasing the firm’s production of “fancy goods,” including inkstands, candlesticks, clocks, small boxes, desk sets, tea screens, and other functional objects. Along with the array of artistic glass designs from his factory in Corona, Queens, works in ceramic, bronze, other metals, and even jewelry abounded. These smaller, more affordable luxury items were designed with as much thought to artistry as the great stained glass windows and lamps through which the firm enjoyed unrivaled success. wall description: By 1900, Louis Comfort Tiffany had expanded his empire by increasing the firm’s production of “fancy goods,” including inkstands, candlesticks, clocks, small boxes, desk sets, tea screens, and other functional objects. Along with the array of artistic glass designs from his factory in Corona, Queens, works in ceramic, bronze, other metals, and even jewelry abounded. These smaller, more affordable luxury items were designed with as much thought to artistry as the great stained glass windows and lamps through which the firm enjoyed unrivaled success. --- RELATED WORKS --- CITATIONS --- IMAGES web: https://openaccess-cdn.clevelandart.org/2018.278/2018.278_web.jpg print: https://openaccess-cdn.clevelandart.org/2018.278/2018.278_print.jpg full: https://openaccess-cdn.clevelandart.org/2018.278/2018.278_full.tif