id:			349455
accession number:	2018.294.28
share license status:	Copyrighted
url:			https://clevelandart.org/art/2018.294.28
updated:		2025-08-08 03:20:25.025000
100 Boots, 1971–73. Eleanor Antin (American, b. 1935). Postcard; photomechanical reproduction (relief half tone) of black and white photograph; 11.4 x 17.8 cm (4 1/2 x 7 in.). The Cleveland Museum of Art, Dorothea Wright Hamilton Fund, 2018.294.28
title:				100 Boots
title in original language:	
series:				
series in original language:	
creation date:			1971–73
creation date earliest:		1965
creation date latest:		1978
current location:		
creditline:			Dorothea Wright Hamilton Fund
copyright:			
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culture:	America
technique:	postcard; photomechanical reproduction (relief half tone) of black and white photograph
department:	Contemporary Art
collection:	CONTEMP - Installation Media
type:		Mixed Media
find spot:	
catalogue raisonne: 
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CREATORS
* Eleanor Antin (American, b. 1935)  - artist
American performance artist, conceptual artist, and photographer, born 1935
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measurements: 11.4 x 17.8 cm (4 1/2 x 7 in.)
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support materials:
inscriptions:
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CURRENT EXHIBITIONS
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LEGACY EXHIBITIONS
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PROVENANCE
	Eleanor Antin
	date: 
	footnotes: 	
	citations: 	
	Ronald Feldman Gallery, New York, NY
	date: 
	footnotes: 	
	citations: 	
	the Cleveland Museum of Art, Cleveland, OH
	date: December 3, 2018
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	citations: 	
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fun fact:
digital description:
wall description:
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RELATED WORKS
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CITATIONS
	Antin, Eleanor. 100 Boots. Philadelphia, Pa: Running, 1999.
	page number: 	p. 64-71
	url:		
	“Reading Ruscha.” Art in America 61, no. 6 (November – December 1973)
	page number: 	p. 64-71
	url:		
	Delahoyd, Mary, and Jacki Apple. Alternatives in Retrospect: An Historical Overview 1969-1975. New York: The New Museum, 1981.
	page number: 	
	url:		
	Fox, Howard N., Eleanor Antin, and Lisa E. Bloom. Eleanor Antin. Los Angeles: Los Angeles County Museum of Art, 1999.
	page number: 	
	url:		
	Godfrey, Mark. “Image Structures.” Artforum 43, no. 6 (February 2005)
	page number: 	p. 146-153
	url:		
	Lewallen, Constance, Karen Moss, Julia Bryan-Wilson, and Anne Rorimer. State of Mind: New California Art Circa 1970. Berkeley: University of California Press, 2011.
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	url:		
	Antin, Eleanor, Huey Copeland, Malik Gaines, Alexandro Segade, Henry M. Sayre, and Emily Liebert. Multiple Occupancy: Eleanor Antin's "Selves". New York: Wallach Art Gallery, 2013.
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	url:		
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IMAGES