id: 349457
accession number: 2018.294.30
share license status: Copyrighted
url: https://clevelandart.org/art/2018.294.30
updated: 2024-11-03 00:37:29.366000
100 Boots, 1971–73. Eleanor Antin (American, b.1935). Postcard; photomechanical reproduction (relief half tone) of black and white photograph; 11.4 x 17.8 cm (4 1/2 x 7 in.). The Cleveland Museum of Art, Dorothea Wright Hamilton Fund 2018.294.30
title: 100 Boots
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creation date: 1971–73
creation date earliest: 1965
creation date latest: 1978
current location:
creditline: Dorothea Wright Hamilton Fund
copyright:
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culture: America
technique: postcard; photomechanical reproduction (relief half tone) of black and white photograph
department: Contemporary Art
collection: CONTEMP - Installation Media
type: Mixed Media
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catalogue raisonne:
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CREATORS
* Eleanor Antin (American, b.1935) - artist
American performance artist, conceptual artist, and photographer, born 1935
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measurements: 11.4 x 17.8 cm (4 1/2 x 7 in.)
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CURRENT EXHIBITIONS
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LEGACY EXHIBITIONS
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PROVENANCE
Eleanor Antin
date:
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citations:
Ronald Feldman Gallery, New York, NY
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the Cleveland Museum of Art, Cleveland, OH
date: December 3, 2018
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RELATED WORKS
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CITATIONS
Antin, Eleanor. 100 Boots. Philadelphia, Pa: Running, 1999.
page number: p. 64-71
url:
“Reading Ruscha.” Art in America 61, no. 6 (November – December 1973)
page number: p. 64-71
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Delahoyd, Mary, and Jacki Apple. Alternatives in Retrospect: An Historical Overview 1969-1975. New York: The New Museum, 1981.
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Fox, Howard N., Eleanor Antin, and Lisa E. Bloom. Eleanor Antin. Los Angeles: Los Angeles County Museum of Art, 1999.
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Godfrey, Mark. “Image Structures.” Artforum 43, no. 6 (February 2005)
page number: p. 146-153
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Lewallen, Constance, Karen Moss, Julia Bryan-Wilson, and Anne Rorimer. State of Mind: New California Art Circa 1970. Berkeley: University of California Press, 2011.
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Antin, Eleanor, Huey Copeland, Malik Gaines, Alexandro Segade, Henry M. Sayre, and Emily Liebert. Multiple Occupancy: Eleanor Antin's "Selves". New York: Wallach Art Gallery, 2013.
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IMAGES