id: 349457 accession number: 2018.294.30 share license status: Copyrighted url: https://clevelandart.org/art/2018.294.30 updated: 2024-11-03 00:37:29.366000 100 Boots, 1971–73. Eleanor Antin (American, b.1935). Postcard; photomechanical reproduction (relief half tone) of black and white photograph; 11.4 x 17.8 cm (4 1/2 x 7 in.). The Cleveland Museum of Art, Dorothea Wright Hamilton Fund 2018.294.30 title: 100 Boots title in original language: series: series in original language: creation date: 1971–73 creation date earliest: 1965 creation date latest: 1978 current location: creditline: Dorothea Wright Hamilton Fund copyright: --- culture: America technique: postcard; photomechanical reproduction (relief half tone) of black and white photograph department: Contemporary Art collection: CONTEMP - Installation Media type: Mixed Media find spot: catalogue raisonne: --- CREATORS * Eleanor Antin (American, b.1935) - artist American performance artist, conceptual artist, and photographer, born 1935 --- measurements: 11.4 x 17.8 cm (4 1/2 x 7 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS --- PROVENANCE Eleanor Antin date: footnotes: citations: Ronald Feldman Gallery, New York, NY date: footnotes: citations: the Cleveland Museum of Art, Cleveland, OH date: December 3, 2018 footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Antin, Eleanor. 100 Boots. Philadelphia, Pa: Running, 1999. page number: p. 64-71 url: “Reading Ruscha.” Art in America 61, no. 6 (November – December 1973) page number: p. 64-71 url: Delahoyd, Mary, and Jacki Apple. Alternatives in Retrospect: An Historical Overview 1969-1975. New York: The New Museum, 1981. page number: url: Fox, Howard N., Eleanor Antin, and Lisa E. Bloom. Eleanor Antin. Los Angeles: Los Angeles County Museum of Art, 1999. page number: url: Godfrey, Mark. “Image Structures.” Artforum 43, no. 6 (February 2005) page number: p. 146-153 url: Lewallen, Constance, Karen Moss, Julia Bryan-Wilson, and Anne Rorimer. State of Mind: New California Art Circa 1970. Berkeley: University of California Press, 2011. page number: url: Antin, Eleanor, Huey Copeland, Malik Gaines, Alexandro Segade, Henry M. Sayre, and Emily Liebert. Multiple Occupancy: Eleanor Antin's "Selves". New York: Wallach Art Gallery, 2013. page number: url: --- IMAGES