id:			317902
accession number:	2018.299.7
share license status:	Copyrighted
url:			https://clevelandart.org/art/2018.299.7
updated:		

Strangers: Bad Timing, 2018. Dana Schutz (American, b. 1976), Two Palms Press. Etching and aquatint; image: 91.4 x 60 cm (36 x 23 5/8 in.); sheet: 109.9 x 77.8 cm (43 1/4 x 30 5/8 in.). The Cleveland Museum of Art, Alma Kroeger Fund 2018.299.7

title:				Bad Timing
title in original language:	
series:				Strangers
series in original language:	
creation date:			2018
creation date earliest:		2018
creation date latest:		2018
current location:		
creditline:			Alma Kroeger Fund
copyright:			

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culture:	America
technique:	etching and aquatint
department:	Prints
collection:	PR - Etching
type:		Print
find spot:	
catalogue raisonne: 

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CREATORS

* Dana Schutz (American, b. 1976)  - artist

* Two Palms Press  - printer and publisher

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measurements: Image: 91.4 x 60 cm (36 x 23 5/8 in.); Sheet: 109.9 x 77.8 cm (43 1/4 x 30 5/8 in.)
state of the work:	only state
edition of the work: 	edition of 20 with 15 APs

support materials:


inscriptions:

	inscription:	In graphite in lower right on recto: “Dana Schutz 2018”
	translation:	
	remark:		

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

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PROVENANCE

	Dana Schutz (the artist)
	date: 2018
	footnotes: 	
	citations: 	


	Two Palms Press, New York, NY
	date: 2018
	footnotes: 	
	citations: 	


	the Cleveland Museum of Art, Cleveland, OH
	date: December 3, 2018
	footnotes: 	
	citations: 	


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fun fact:
The artist prefers not to explain the narrative underlying these prints, leaving them open to the viewer’s interpretation.

digital description:
Brooklyn-based painter Dana Schutz is known for large-scale figurative painting, often drawing on narrative and humor. This print portfolio evokes Schutz’s signature subject matter, but translates it to the monochromatic palette of etching. Working with contemporary publisher Two Palms, Schutz created dense, painterly layers of grainy aquatint. Although the ten images suggest a vague story line, the artist left their meaning to the viewer to interpret.

wall description:

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RELATED WORKS

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CITATIONS

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IMAGES