id:			321991
accession number:	2018.333
share license status:	Copyrighted
url:			https://clevelandart.org/art/2018.333
updated:		2024-03-26 02:02:03.505000

Green Light, Paris, 2001. Leonard Freed (American, 1929–2006). Gelatin silver print; image: 33.5 x 22.8 cm (13 3/16 x 9 in.); paper: 35.4 x 27.7 cm (13 15/16 x 10 7/8 in.). The Cleveland Museum of Art, Gift of George Stephanopoulos 2018.333

title:				Green Light, Paris
title in original language:	
series:				
series in original language:	
creation date:			2001
creation date earliest:		2001
creation date latest:		2001
current location:		
creditline:			Gift of George Stephanopoulos
copyright:			

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culture:	America
technique:	gelatin silver print
department:	Photography
collection:	PH - American 1951-Present
type:		Photograph
find spot:	
catalogue raisonne: 

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CREATORS

* Leonard Freed (American, 1929–2006)  - artist
Born in Brooklyn to Jewish, working-class parents of Eastern European descent, Leonard Freed (1929–2006) went to Europe to become a painter but instead discovered photography. After studying the medium in New York City, he worked as a documentary photographer and photojournalist in Europe. In 1972 he joined Magnum, the celebrated collaborative photo agency. Freed’s photographs in this exhibition are from<em> Black in White America, </em>a series inspired by an experience he had while covering the construction of the Berlin Wall in 1961. As he photographed an African American soldier guarding the border, it struck Freed that this man was risking his life to defend a country that limited his own rights. Freed returned to New York to undertake a multiyear exploration of African American life. Freed began shooting around New York, and then traveled extensively throughout the South. He spent time in communities getting to know his subjects, and kept a journal recording his impressions and their stories and words. During these years, he also covered Martin Luther King Jr. and numerous civil rights events, but when Freed published <em>Black in White America</em> in 1968, the book focused instead on the fabric of daily life. As a photojournalist, Freed was an observer rather than a participant, but not an impartial one. He believed that “photography is about who you are. It’s the seeking of truth in relation to yourself.”
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measurements: Image: 33.5 x 22.8 cm (13 3/16 x 9 in.); Paper: 35.4 x 27.7 cm (13 15/16 x 10 7/8 in.)
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inscriptions:

	inscription:	Written in graphite on verso: "LFPAR-57.3/ 6500-"
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	inscription:	Written in graphite on verso: "2001 PARiS. FRANCE. 01-8-1-32A"
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	inscription:	Written in graphite on verso: "Leonard Freed"
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	inscription:	Imprinted in grey ink on verso: "VINTAGE PRINT"
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	inscription:	Imprinted in grey ink on verso, and crossed out by three lines of graphite: "LATER PRINT"
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	inscription:	Imprinted in grey ink on verso: "© Leonard Freed-Magnum"
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	inscription:	Written in graphite on verso: "A"
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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

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PROVENANCE

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