id:			321993
accession number:	2018.335
share license status:	Copyrighted
url:			https://clevelandart.org/art/2018.335
updated:		2024-03-26 02:02:03.516000

Quiet Times at the Station. An Officer Sweeps Up. A Woman Police Volunteer Takes Calls., 1976. Leonard Freed (American, 1929–2006). Gelatin silver print; image: 16.1 x 23.9 cm (6 5/16 x 9 7/16 in.). The Cleveland Museum of Art, Gift of George Stephanopoulos 2018.335

title:				Quiet Times at the Station. An Officer Sweeps Up. A Woman Police Volunteer Takes Calls.
title in original language:	
series:				
series in original language:	
creation date:			1976
creation date earliest:		1976
creation date latest:		1976
current location:		
creditline:			Gift of George Stephanopoulos
copyright:			

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culture:	America, 20th  century
technique:	gelatin silver print
department:	Photography
collection:	PH - American 1951-Present
type:		Plaque
find spot:	
catalogue raisonne: 

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CREATORS

* Leonard Freed (American, 1929–2006)  - artist
Born in Brooklyn to Jewish, working-class parents of Eastern European descent, Leonard Freed (1929–2006) went to Europe to become a painter but instead discovered photography. After studying the medium in New York City, he worked as a documentary photographer and photojournalist in Europe. In 1972 he joined Magnum, the celebrated collaborative photo agency. Freed’s photographs in this exhibition are from<em> Black in White America, </em>a series inspired by an experience he had while covering the construction of the Berlin Wall in 1961. As he photographed an African American soldier guarding the border, it struck Freed that this man was risking his life to defend a country that limited his own rights. Freed returned to New York to undertake a multiyear exploration of African American life. Freed began shooting around New York, and then traveled extensively throughout the South. He spent time in communities getting to know his subjects, and kept a journal recording his impressions and their stories and words. During these years, he also covered Martin Luther King Jr. and numerous civil rights events, but when Freed published <em>Black in White America</em> in 1968, the book focused instead on the fabric of daily life. As a photojournalist, Freed was an observer rather than a participant, but not an impartial one. He believed that “photography is about who you are. It’s the seeking of truth in relation to yourself.”
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measurements: Image: 16.1 x 23.9 cm (6 5/16 x 9 7/16 in.)
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inscriptions:

	inscription:	Written in orange pencil on recto, upper left corner: "88"
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	inscription:	Written in pencil on verso, upper left corner: "LF-PW-088.03"
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	inscription:	Written in pencil on verso, upper left corner: "4000"
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	inscription:	Imprinted in purple ink on verso: "(c) Leonard Freed-Magnum"
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	inscription:	Written in black ink on verso: "79-7-68-21"
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	inscription:	Written in pencil on verso, lower left corner: "Book: Police Work"
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	inscription:	Imprinted in purple in on verso, lower left corner: "VINTAGE PRINT"
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	inscription:	Written in pencil on verso: "1979 NEW YORK City. USA."
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	inscription:	Written in pencil on verso, lower right corner: "Leonard Freed"
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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

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PROVENANCE

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