id: 322061
accession number: 2018.388
share license status: Copyrighted
url: https://clevelandart.org/art/2018.388
updated: 2022-01-04 18:10:15.175000
Close-up of Fashion Model's Shoes, 1934. Ilse Bing (American, 1899-1998). Gelatin silver print; image: 28.2 x 20 cm (11 1/8 x 7 7/8 in.); paper: 28.2 x 20 cm (11 1/8 x 7 7/8 in.); mounted: 41.9 x 34.7 cm (16 1/2 x 13 11/16 in.). The Cleveland Museum of Art, Gift of George Stephanopoulos 2018.388 © Estate of Ilse Bing
title: Close-up of Fashion Model's Shoes
title in original language:
series:
series in original language:
creation date: 1934
creation date earliest: 1934
creation date latest: 1934
current location:
creditline: Gift of George Stephanopoulos
copyright: © Estate of Ilse Bing
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culture: America, 20th century
technique: gelatin silver print
department: Photography
collection: PH - American 1900-1950
type: Photograph
find spot:
catalogue raisonne:
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CREATORS
* Ilse Bing (American, 1899-1998) - artist
American and German photographer, born 1899 or 1900, died 1998
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measurements: Image: 28.2 x 20 cm (11 1/8 x 7 7/8 in.); Paper: 28.2 x 20 cm (11 1/8 x 7 7/8 in.); Mounted: 41.9 x 34.7 cm (16 1/2 x 13 11/16 in.)
state of the work:
edition of the work:
support materials:
inscriptions:
inscription: Written in black ink in lower right on recto of photograph: "Ilse Bing/1934"
translation:
remark:
inscription: Imprinted in black type on recto of mount: "ILSE BING/PARIS/1934"
translation:
remark:
inscription: Commercially imprinted throughout verso of photograph: "Agfa Brovira"
translation:
remark:
inscription: Written in pencil on verso of mount: "IB-FAS-36 #2 8k 0.5 3/13"
translation:
remark:
inscription: Written in pencil on verso of mount: "[1206-433-D7]"
translation:
remark:
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CURRENT EXHIBITIONS
title: Ilse Bing: Queen of the Leica
opening date: 2020-03-07T05:00:00
Ilse Bing: Queen of the Leica. The Cleveland Museum of Art, Cleveland, OH (organizer) (March 7-October 11, 2020).
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LEGACY EXHIBITIONS
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PROVENANCE
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fun fact:
digital description:
wall description:
Ilse Bing’s assignment from a Frankfurt newspaper to cover the couture ball in Paris led to commissions from designers and fashion magazines, including French Vogue. In November 1933 she began doing all the Paris accessory shoots for the American magazine Harper’s Bazaar. Although the Leica was associated with candid photography, she used it in the studio to create staged still lifes of shoes, jewelry, handbags, and belts, and occasionally views of shoes on a model’s feet. Accustomed to using available light, Bing had to master artificial lighting. Preferring a natural look, she avoided bright spots and deep shadows in favor of gently modeled highlights that emphasized the objects’ sculptural shapes while revealing their polished surfaces.
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CITATIONS
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