id: 311763 accession number: 2018.39 share license status: CC0 url: https://clevelandart.org/art/2018.39 updated: 2023-09-29 11:03:31.818000 Entrance to the Nata Dewale Grounds, Kandy, c. 1880. Scowen & Co. (British, active Ceylon, 1876–1895). Albumen print from glass plate negative; image: 28 x 22.1 cm (11 x 8 11/16 in.); paper: 28 x 22.1 cm (11 x 8 11/16 in.); mounted: 35.4 x 27.5 cm (13 15/16 x 10 13/16 in.). The Cleveland Museum of Art, Gift of Catherine Glynn Benkaim and Barbara Timmer 2018.39 title: Entrance to the Nata Dewale Grounds, Kandy title in original language: series: series in original language: creation date: c. 1880 creation date earliest: 1875 creation date latest: 1885 current location: creditline: Gift of Catherine Glynn Benkaim and Barbara Timmer copyright: --- culture: India, 19th century technique: Albumen print from glass plate negative department: Photography collection: PH - British 19th Century type: Photograph find spot: catalogue raisonne: --- CREATORS * Scowen & Co. (British, active Ceylon, 1876–1895) - artist --- measurements: Image: 28 x 22.1 cm (11 x 8 11/16 in.); Paper: 28 x 22.1 cm (11 x 8 11/16 in.); Mounted: 35.4 x 27.5 cm (13 15/16 x 10 13/16 in.) state of the work: edition of the work: support materials: inscriptions: inscription: Written in black ink on recto of mount: “Temple” translation: remark: inscription: Imprinted in white type on recto of photograph: “ENTRANCE TO THE NATA DEWALE GROUNDS, KANDY” translation: remark: inscription: Imprinted in black type on recto of photograph: “Scowen” translation: remark: inscription: Imprinted in white type on recto of photograph: “SCOWEN & Co.” translation: remark: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS --- PROVENANCE Bruno Tartarain, photovintagefrance, Arnaville, France date: footnotes: citations: Catherine Glynn Benkaim and Barbara Timmer, Beverly Hills, CA date: footnotes: citations: the Cleveland Museum of Art, Cleveland, OH date: June 4, 2018 footnotes: citations: --- fun fact: digital description: This is probably the entrance to a site for the worship of Natha, the Ceylonese counterpart of the all-compassionate Buddhist deity Mahayana Bodhisattva Avalokitesvara. The shrine in Kandy dedicated to him, considered an especially lucky and sacred place, was where some royal ceremonies were held, including that for the naming of new kings. wall description: --- RELATED WORKS --- CITATIONS --- IMAGES web: https://openaccess-cdn.clevelandart.org/2018.39/2018.39_web.jpg print: https://openaccess-cdn.clevelandart.org/2018.39/2018.39_print.jpg full: https://openaccess-cdn.clevelandart.org/2018.39/2018.39_full.tif