id: 308820
accession number: 2018.5
share license status: Copyrighted
url: https://clevelandart.org/art/2018.5
updated: 2025-06-28 05:02:45.187000
Totem 01/01–18 (Baga-Batcham-Alunga-Kota), 2018. Hervé Youmbi (Cameroonian, b. Central African Republic, 1973). Wood, glass beads, thread, glue, and silicone adhesive; overall: 188 x 53 x 38 cm (74 x 20 7/8 x 14 15/16 in.). The Cleveland Museum of Art, Purchase from the Karl B. Goldfield Trust, 2018.5
title: Totem 01/01–18 (Baga-Batcham-Alunga-Kota)
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creation date: 2018
creation date earliest: 2018
creation date latest: 2018
current location:
creditline: Purchase from the Karl B. Goldfield Trust
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culture: Africa, Central Africa, Cameroon
technique: Wood, glass beads, thread, glue, and silicone adhesive
department: African Art
collection: African Art
type: Sculpture
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CREATORS
* Hervé Youmbi (Cameroonian, b. Central African Republic, 1973) - artist
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measurements: Overall: 188 x 53 x 38 cm (74 x 20 7/8 x 14 15/16 in.)
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CURRENT EXHIBITIONS
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LEGACY EXHIBITIONS
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PROVENANCE
(Axis Gallery, New York, NY, sold to the Cleveland Museum of Art)
date: 2018
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The Cleveland Museum of Art, Cleveland, OH
date: 2018-
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RELATED WORKS
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CITATIONS
Malaquais, Dominique. “Imag(IN)ing Racial France, Take 3 – Herve Youmbi.” In Public Culture 23:1 (2011).
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Nzewi, Ugochukwu-Smooth C. “In the Long Shadows of Euro-America, or, What is Global Contemporary,” African Arts 48, no. 2 (Summer 2015): 10-11.
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Malaquais, Dominique. “Playing (in) the Marketfield: Herve Youmbi and the Art World Maze,” In Cahiers d’etudes africaines, no. 223 (2016): 559-579.
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Forni, Silvia. “Masks on the Move: Defying Genres, Styles, and Traditions in the Cameroonian Grassfields.” In African Arts 49, no. 2 (Summer 2016)
page number: Pg. 38-53
url: https://ingallslibrary.on.worldcat.org/oclc/6034992827
König, Kasper, Britta Peters, and Marianne Wagner. Skulptur Projekte Munster 2017. Leipzig: Spector Books, June 10 – October 1, 2017.
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Forni, Silvia and Dominique Malaquais. "Village Matters, City Works: Ideas, Technologies, and Dialogues in the Work of Herve Youmbi." Critical Interventions, 12, issue 3 (2018): 294-305.
page number: Reproduced and mentioned; p. 303, fig. 15
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Nzewi, Ugochukwu-Smooth C. "Contemporary African Art." Cleveland Art (September/October 2018): 8-9.
page number: Reproduced and mentioned: P. 9.
url: https://www.clevelandart.org/print/magazine/cleveland-art-septemberoctober-2018/contemporary-african-art
Ugochukwu-Smooth, C. Nzewi. “Contemporary African Art: Two new works add a twist to canonical forms.” Cleveland Art: Cleveland Museum of Art Members Magazine vol. 58, no. 5 (September/October 2018): 8-9.
page number: Reproduced: P. 9; Mentioned: P. 8, 9.
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Nzewi, Ugochukwu-Smooth C. Second Careers : Two Tributaries in African Art. Cleveland, OH: The Cleveland Museum of Art, 2019
page number: Reproduced: p. 20, fig. 5 (foreground), p. 21, fig. 6, p. 24, fig. 12 (right); mentioned: p. 20.
url: https://ingallslibrary.on.worldcat.org/oclc/1090438741
Nzewi, Ugochukwu-Smooth C. Second Careers : Two Tributaries in African Art. Cleveland, OH: The Cleveland Museum of Art, 2019
page number: Reproduced: p. 20, fig. 5 (foreground), p. 21, fig. 6, p. 24, fig. 12 (right); mentioned: p. 20.
url: https://ingallslibrary.on.worldcat.org/oclc/1090438741
Forni, Silvia and Dominque Malaquais. "Village Matters, City Works: Ideas, Technologies, and Dialogues in the Work of Hervé Youmbi," In Critical Interventions 12, issue 3, (2018): 294-305.
page number: Reproduced and mentioned: p. 303, fig. 15
url: https://ingallslibrary.on.worldcat.org/oclc/8586017039
Griswold, William M. “Recent Acquisitions (2013-20) at the Cleveland Museum of Art.” Burlington Magazine 163, no. 1414 (January 2021): 93-104.
page number: Mentioned and reproduced: P. 104, no. 23; mentioned: P. 93
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IMAGES