id:			307219
accession number:	2018.7
share license status:	CC0
url:			https://clevelandart.org/art/2018.7
updated:		2019-06-06 08:31:00.310000

Mécanisme de la physionomie humaine: Figure 45: Contraction électrique forte des triangulaires des lèvres et des sourciliers: douleur et déspoir, c. 1856. Guillaume-Benjamin-Amand Duchenne (de Boulogne) (French, 1806-1875), Adrien Tournachon (French, 1825-1903). Albumen print from glass plate negative (printed 1862); image: 23.5 x 17.9 cm (9 1/4 x 7 1/16 in.); oval opening: 16.2 x 11.9 cm (6 3/8 x 4 11/16 in.); mounted: 41.2 x 27.4 cm (16 1/4 x 10 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund 2018.7

title:				Figure 45: Contraction électrique forte des triangulaires des lèvres et des sourciliers: douleur et déspoir
title in original language:	
series:				Mécanisme de la physionomie humaine
series in original language:	
creation date:			c. 1856
creation date earliest:		1851
creation date latest:		1861
current location:		
creditline:			John L. Severance Fund
copyright:			

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culture:	
technique:	Albumen print from glass plate negative (printed 1862)
department:	Photography
collection:	PH - French 19th Century
type:		Photograph
find spot:	
catalogue raisonne: 

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CREATORS

* Guillaume-Benjamin-Amand Duchenne (de Boulogne) (French, 1806-1875)  - artist

* Adrien Tournachon (French, 1825-1903)  - artist

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measurements: Image: 23.5 x 17.9 cm (9 1/4 x 7 1/16 in.); Oval opening: 16.2 x 11.9 cm (6 3/8 x 4 11/16 in.); Mounted: 41.2 x 27.4 cm (16 1/4 x 10 13/16 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

	inscription:	On the verso, lower left corner, in graphite, “fig. 7”
	translation:	
	remark:		

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

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PROVENANCE

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fun fact: 


digital description: 
Duchenne embarked on the first scientific, systematic exploration of the physiology of human facial expression and hoped, through photographs of his experiments, to teach artists how to portray those emotions. The experiments were performed by applying electrical stimulation to a single muscle on one side of the face, so that the viewer could clearly see the impact of the muscular contraction.

wall description: 

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RELATED WORKS

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CITATIONS

	Liberatore, Virginia, and G.-B. Duchenne. Performing the Passions between Classical and Modern Epistemes: Text and Photography in Duchenne De Boulogne's "Mécanisme De La Physionomie Humaine". 2002.
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	Duchenne, G.-B., and R. Andrew Cuthbertson. The Mechanism of Human Facial Expression. 2006.
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	url:		

	Prodger, Phillip. Darwin's Camera: Art and Photography in the Theory of Evolution. Oxford: Oxford University Press, 2009.
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	Sobieszek, Robert A. Ghost in the Shell: Photography and the Human Soul, 1850-2000 : Essays on Camera Portraiture. Los Angeles: Los Angeles County Museum of Art, 1999.
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	url:		

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/2018.7/2018.7_web.jpg
print:	https://openaccess-cdn.clevelandart.org/2018.7/2018.7_print.jpg
full:	https://openaccess-cdn.clevelandart.org/2018.7/2018.7_full.tif