{
    "data": {
        "id": 329309,
        "accession_number": "2019.1",
        "share_license_status": "CC0",
        "tombstone": "De Poolse Muts, c. 1620\u201330. Balthasar van der Ast (Dutch, 1593/94\u20131657). Brush and watercolor in red, green, and yellow with white heightening or grey wash on antique laid  cream paper; support: 37.5 x 26.7 cm (14 3/4 x 10 1/2 in.); matted: 49.7 x 39.1 x 0.3 cm (19 9/16 x 15 3/8 x 1/8 in.); image: 30.3 x 19.9 cm (11 15/16 x 7 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund, 2019.1",
        "current_location": null,
        "title": "De Poolse Muts",
        "creation_date": "c. 1620\u201330",
        "creation_date_earliest": 1615,
        "creation_date_latest": 1635,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "Netherlands"
        ],
        "technique": "brush and watercolor in red, green, and yellow with white heightening or grey wash on antique laid  cream paper",
        "support_materials": [],
        "department": "Drawings",
        "collection": "DR - Dutch",
        "type": "Drawing",
        "measurements": "Support: 37.5 x 26.7 cm (14 3/4 x 10 1/2 in.); Matted: 49.7 x 39.1 x 0.3 cm (19 9/16 x 15 3/8 x 1/8 in.); Image: 30.3 x 19.9 cm (11 15/16 x 7 13/16 in.)",
        "dimensions": {
            "image": {
                "height": 0.303,
                "height_inch": 11,
                "height_inch_fraction": 0.9375,
                "width": 0.199,
                "width_inch": 7,
                "width_inch_fraction": 0.8125
            },
            "support": {
                "height": 0.375,
                "height_inch": 14,
                "height_inch_fraction": 0.75,
                "width": 0.267,
                "width_inch": 10,
                "width_inch_fraction": 0.5
            },
            "matted": {
                "height": 0.497,
                "height_inch": 19,
                "height_inch_fraction": 0.5625,
                "width": 0.391,
                "width_inch": 15,
                "width_inch_fraction": 0.375,
                "depth": 0.003,
                "depth_inch": 0,
                "depth_inch_fraction": 0.125
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "recto, De Poolse Muts in brown ink",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            },
            {
                "inscription": "monogrammed BA lower right in faded black ink",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            },
            {
                "inscription": "numbered 274 in brown ink lower left",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            },
            {
                "inscription": "verso, erased or rubbed chalk numbers, upper left",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            },
            {
                "inscription": "watermark: basel crozier",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            }
        ],
        "exhibitions": {
            "current": [],
            "legacy": []
        },
        "provenance": [],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "According to Christian legend, carnations appeared when the Virgin Mary shed tears as Jesus carried the cross, thus the flower\u2019s traditional association with Mother\u2019s Day.",
        "early_education_description": null,
        "artlens_description": null,
        "description": "Still-life painting began in the Northern Netherlands (present-day Holland) around the turn of the 1600s. Still-life painter Balthasar van der Ast made this precise botanical study of a pink carnation as a reference that he could add later to a painting of an elaborate bouquet of flowers. Van der Ast inscribed the name \u201cThe Polish Cap,\u201d on the sheet to suggest that the flower came from foreign lands.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q79875997"
            ],
            "internet_archive": [
                "https://archive.org/details/clevelandart-2019.1-de-poolse-muts"
            ]
        },
        "citations": [
            {
                "citation": "Bol, Laurens J. The Bosschaert Dynasty: Painters of Flowers and Fruit. 1960.",
                "page_number": null,
                "url": null
            },
            {
                "citation": "Bol, Laurens J. <em>'Goede onbekenden': Hedendaagse herkenning en waardering vanverscholen, voorbijgezien en onderschat talent</em>. Utrecht, 1982",
                "page_number": "p. 52-56",
                "url": null
            },
            {
                "citation": "Luijten, Ger. Dawn of the Golden Age: Northern Netherlandish Art, 1580-1620. Amsterdam: Rijksmuseum, 1993.",
                "page_number": "p. 299",
                "url": null
            },
            {
                "citation": "Liedtke, Walter A., Michiel Plomp, and Axel Ru\u0308ger. Vermeer and the Delft School. New York: Metropolitan Museum of Art, 2001.",
                "page_number": "p. 446-46",
                "url": null
            }
        ],
        "url": "https://clevelandart.org/art/2019.1",
        "images": {
            "annotation": null,
            "web": {
                "url": "https://openaccess-cdn.clevelandart.org/2019.1/2019.1_web.jpg",
                "width": "601",
                "height": "900",
                "filesize": "221440",
                "filename": "2019.1_web.jpg"
            },
            "print": {
                "url": "https://openaccess-cdn.clevelandart.org/2019.1/2019.1_print.jpg",
                "width": "2271",
                "height": "3400",
                "filesize": "1932146",
                "filename": "2019.1_print.jpg"
            },
            "full": {
                "url": "https://openaccess-cdn.clevelandart.org/2019.1/2019.1_full.tif",
                "width": "3971",
                "height": "5946",
                "filesize": "70864332",
                "filename": "2019.1_full.tif"
            }
        },
        "alternate_images": [],
        "creditline": "John L. Severance Fund",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 329309,
        "creators": [
            {
                "id": 21839,
                "description": "Balthasar van der Ast (Dutch, 1593/94\u20131657)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": null,
                "name_in_original_language": null,
                "birth_year": "1593",
                "death_year": "1657",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "2019-03-04T00:00:00-05:00",
        "sortable_date": 1615,
        "date_added_to_oa": null,
        "date_text": "c. 1620\u201330",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "object",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": null,
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [],
        "is_highlight": false,
        "updated_at": "2026-05-29 08:56:27.181000"
    }
}