id: 344487 accession number: 2019.132 share license status: Copyrighted url: https://clevelandart.org/art/2019.132 updated: 2024-03-26 02:02:06.901000 Del Monte Forest, 1956. Wynn Bullock (American, 1902–1975). Gelatin silver print; image and paper: 24 x 19 cm (9 7/16 x 7 1/2 in.); mounted: 38 x 33.6 cm (14 15/16 x 13 1/4 in.). The Cleveland Museum of Art, Gift of Arielle Kozloff Brodkey in memory of Dr. Jerald S. Brodkey 2019.132 © Bullock Family Photography LLC title: Del Monte Forest title in original language: series: series in original language: creation date: 1956 creation date earliest: 1956 creation date latest: 1956 current location: creditline: Gift of Arielle Kozloff Brodkey in memory of Dr. Jerald S. Brodkey copyright: © Bullock Family Photography LLC --- culture: America, 20th century technique: gelatin silver print department: Photography collection: PH - American 1951-Present type: Photograph find spot: catalogue raisonne: --- CREATORS * Wynn Bullock (American, 1902–1975) - artist Wynn Bullock American, 1902-1975 Born Percy Wingfield Bullock in Chicago, Wynn Bullock's first career was as a concert singer. He developed an interest in photography while studying voice and music in Europe in the late 1920s, but did not pursue it seriously until 1938 when he entered the Los Angeles Art Center School to study with Edward Kaminski. After graduating in 1940, Bullock studied briefly with semanticist Alfred Korzybski, then began work as a commercial photographer. His work was featured in one-artist exhibitions at the Los Angeles County Museum of Art (1941), the M. H. de Young Memorial Museum, San Francisco (1956), George Eastman House, Rochester (1957, 1966), and the Metropolitan Museum of Art, New York (1976). Bullock taught photography at San Francisco State College (1945-58), Monterey Peninsula College (1959-60), and the Institute of Design, Illinois Institute of Technology (1967); he also held several patents for various photographic processes. He viewed photography as a way to explore the natural world and his relationship to it. In his studies of nature (trees, landscapes, seascapes) and the nude he sought to delve below surface appearances. Over the years Bullock formulated his ideas into a philosophical system expressed through his photographs and lectures. M.M. --- measurements: image and paper: 24 x 19 cm (9 7/16 x 7 1/2 in.); Mounted: 38 x 33.6 cm (14 15/16 x 13 1/4 in.) state of the work: edition of the work: support materials: inscriptions: inscription: Written in black ink in lower right on recto of mount: “Wynn Bullock” translation: remark: inscription: Imprinted in black and red type on white paper gallery label adhered to verso of mount: “THACKERY & ROBERTSON/2266 UNION STREET: SAN FRANCISCO CALIFORNIA 94123/Wynn Bullock/The Forrest, 1956/Silver print, hand-signed on the/mount./Dealers in Art” translation: remark: inscription: Written in black ink on verso of mount: “#486-The Forest 1956” translation: remark: inscription: Stamped in black ink on verso of mount: “800316” translation: remark: inscription: Written in pencil on verso of mount: “TRI” translation: remark: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS --- PROVENANCE Thackery and Robertson, San Francisco, CA date: 1977 footnotes: citations: Arielle Kozloff Brodkey and Dr. Jerald S. Brodkey, Cleveland, OH date: 1977 footnotes: citations: Arielle Kozloff Brodkey, Cleveland, OH date: 2014-2019 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: June 3, 2019 footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS --- IMAGES