id:			329355
accession number:	2019.16
share license status:	CC0
url:			https://clevelandart.org/art/2019.16
updated:		2023-08-24 01:32:51.064000

Wooded Landscape, after 1648. Anthonie Waterloo (Dutch, 1609/10–1690). Charcoal applied wet, brush and black and brown and white washes; black ink framing line on antique brown laid paper; sheet: 28.8 x 46.3 cm (11 5/16 x 18 1/4 in.). The Cleveland Museum of Art, John L. Severance Fund 2019.16

title:				Wooded Landscape
title in original language:	
series:				
series in original language:	
creation date:			after 1648
creation date earliest:		1648
creation date latest:		1690
current location:		
creditline:			John L. Severance Fund
copyright:			

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culture:	Netherlands, 17th century
technique:	Charcoal applied wet, brush and black and brown and white washes; black ink framing line on antique brown laid paper
department:	Drawings
collection:	DR - Dutch
type:		Drawing
find spot:	
catalogue raisonne: 

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CREATORS

* Anthonie Waterloo (Dutch, 1609/10–1690)  - artist

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measurements: Sheet: 28.8 x 46.3 cm (11 5/16 x 18 1/4 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

	inscription:	On verso, pen or graphite inscription (erased?) A. Pynnier
	translation:	
	remark:		

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

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PROVENANCE

	Charles Duits [1882-1969], Dordrecht, Netherlands and London England
	date: 
	footnotes: 	
	citations: 	


	Thomas Williams Fine Art, London, England
	date: July 2008
	footnotes: 	
	citations: 	


	Private Collection, Amsterdam, Netherlands
	date: 2008-2019
	footnotes: 	
	citations: 	


	the Cleveland Museum of Art, Cleveland, OH
	date: March 4, 2019
	footnotes: 	
	citations: 	


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fun fact:
Studies of dense forests and individual trees were a specialty of Dutch artists in the 1600s.

digital description:
Known exclusively for his drawings and prints, the Dutch artist Anthonie Waterloo specialized in tree studies and dense forest scenes such as this drawing. Here he created a vista through groupings of tall trees, producing the effect of shimmering light and movement with his unique technique of using wet charcoal over dry chalk. He added a subtle white wash throughout the center of the composition to create the hint of the sun’s glow beyond the trees. Such a work would have been sold as a finished work of art.

wall description:

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RELATED WORKS

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CITATIONS

	Thomas Williams Fine Art Ltd. Old Master Drawings, July 2008. London: Thomas Williams Fine Art Ltd, 2008.
	page number: 	Cat. 22, p. 54-55
	url:		

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/2019.16/2019.16_web.jpg
print:	https://openaccess-cdn.clevelandart.org/2019.16/2019.16_print.jpg
full:	https://openaccess-cdn.clevelandart.org/2019.16/2019.16_full.tif