id:			370522
accession number:	2019.175.b
share license status:	Copyrighted
url:			https://clevelandart.org/art/2019.175.b
updated:		2023-03-22 03:05:27.196000

Las Meninas, 2019. Simone Leigh (American, b. 1967). Steel, raffia; overall: 121.3 x 208.3 x 148 cm (47 3/4 x 82 x 58 1/4 in.). The Cleveland Museum of Art, Purchased with funds donated by Scott Mueller 2019.175.b © 2019 Simone Leigh. All rights reserved.

title:				Las Meninas
title in original language:	
series:				
series in original language:	
creation date:			2019
creation date earliest:		2019
creation date latest:		2019
current location:		229A Contemporary
creditline:			Purchased with funds donated by Scott Mueller
copyright:			© 2019 Simone Leigh. All rights reserved.

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culture:	
technique:	steel, raffia
department:	Contemporary Art
collection:	CONTEMP - Sculpture
type:		Sculpture
find spot:	
catalogue raisonne: 

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CREATORS

* Simone Leigh (American, b. 1967) 

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measurements: Overall: 121.3 x 208.3 x 148 cm (47 3/4 x 82 x 58 1/4 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

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CURRENT EXHIBITIONS

	title:		Contemporary Gallery Reinstallation 2021
	opening date:   2021-04-20T04:00:00
	<i>Contemporary Gallery Reinstallation 2021</i>. The Cleveland Museum of Art (organizer).

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LEGACY EXHIBITIONS

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PROVENANCE

	(Luhring Augustine Gallery, New York, NY, sold to the Cleveland Museum of Art, Cleveland, OH
	date: 2019
	footnotes: 	
	citations: 	


	The Cleveland Museum of Art, Cleveland, OH
	date: 2019-
	footnotes: 	
	citations: 	


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fun fact:
The hollow face is surrounded by dozens of small porcelain flowers.

digital description:
<em>Las Meninas</em> draws on traditions throughout global art and culture to address issues surrounding the female body, race, beauty, and community. The work’s skirted form conjures figures from the Spanish Golden Age painting <em>Las Meninas</em> (1656) by Diego Velazquez, apparel worn in the Afro-Brazilian religious tradition candomblé, and Mousgoum buildings in Cameroon. The white-glazed terracotta torso, alluding to sacred and secular traditions of body painting, leads to a faceless head, incorporating both figuration and abstraction.

wall description:

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RELATED WORKS

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CITATIONS

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IMAGES