id:			320778
accession number:	2019.18
share license status:	CC0
url:			https://clevelandart.org/art/2019.18
updated:		2019-07-03 08:00:32.105000

Bord de l'Oise, 1888. Louis Hayet (French, 1864-1940). Oil on canvas; 51 x 71 cm (20 1/16 x 27 15/16 in.). The Cleveland Museum of Art, Sundry Art - Miscellaneous Fund 2019.18

title:				Bord de l'Oise
title in original language:	
series:				
series in original language:	
creation date:			1888
creation date earliest:		1887
creation date latest:		1888
current location:		222 Impressionism & Post-Impressionism
creditline:			Sundry Art - Miscellaneous Fund
copyright:			

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culture:	
technique:	Oil on canvas
department:	Modern European Painting and Sculpture
collection:	Mod Euro - Painting 1800-1960
type:		Painting
find spot:	
catalogue raisonne: 

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CREATORS

* None 

* Louis Hayet (French, 1864-1940) 
French painter, 1864-1940
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measurements: 51 x 71 cm (20 1/16 x 27 15/16 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

* <em>Post-impressionism : cross-currents in European painting.</em> Royal Academy of Arts, London, United Kingdom (November 17, 1979 - March 16, 1980).

* <em>Georges Seurat, Paul Signac e i neoimpressionisti.</em> Palazzo Reale, Milan, Italy (October, 2008-January 25, 2009).

* <em>Neo-Impressionism and the Dream of Realities: Painting, Poetry, Music</em>. The Phillips Collection, Washington, DC (September 27, 2014-January 11, 2015).

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PROVENANCE

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fun fact: 
Hayet received considerable critical praise for his original idea of developing a neo-impressionist color chart that incorporates gray tones.

digital description: 
Louis Hayet was an important, early member of the neo-impressionist movement that first came to public attention at the eighth impressionist exhibition of 1886. <em>Banks of the Oise at Dawn</em> is one of Hayet's finest works in the then radically new style of neo-impressionism, also known as pointillism or divisionism, in which small strokes of pure color are applied according to principles of scientific color theory.

wall description: 

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RELATED WORKS

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CITATIONS

	House, John, and Mary Anne Stevens. Post-Impressionism: Cross-Currents in European Painting. London: Royal Academy of Arts, 1979.
	page number: 	Reproduced: p. 11
	url:		

	Dulon, Guy, Louis Hayet, and Christophe Duvivier. <em>Louis Hayet: 1864-1940 : peintre et théoricien du néo-impressionnisme</em>. Pontoise, France: Musée de Pontoise, 1991.
	page number: 	Reproduced: p. 118, p. 139
	url:		

	Bocquillon-Ferretti, Marina. <em>Georges Seurat, Paul Signac e i neoimpressionisti</em>. Milano, Italy: Skira, 2008.
	page number: 	Reproduced: p. 118
	url:		

	Homburg, Cornelia, Paul Smith, Laura D. Corey, Simon Kelly, Noelle C. Paulson, and Christopher Riopelle. <em>Neo-Impressionism and the Dream of Realities: Painting, Poetry, Music</em>. New Haven, CT : Yale University Press, 2014.
	page number: 	Reproduced: p. 46; Detail; p. 51
	url:		

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/2019.18/2019.18_web.jpg
print:	https://openaccess-cdn.clevelandart.org/2019.18/2019.18_print.jpg
full:	https://openaccess-cdn.clevelandart.org/2019.18/2019.18_full.tif