id:			325456
accession number:	2019.24
share license status:	Copyrighted
url:			https://clevelandart.org/art/2019.24
updated:		2024-03-26 02:02:06.021000

Nude on Sand, Oceano, 1936. Edward Weston (American, 1886–1958). Gelatin silver print; image: 18.2 x 24.3 cm (7 3/16 x 9 9/16 in.); paper: 18.2 x 24.3 cm (7 3/16 x 9 9/16 in.); mounted: 35 x 38.7 cm (13 3/4 x 15 1/4 in.). The Cleveland Museum of Art, Gift of Diann G. Mann and Thomas A. Mann 2019.24 ©  Center for Creative Photography, Arizona Board of Regents / Artists Rights Society (ARS), New York

title:				Nude on Sand, Oceano
title in original language:	
series:				
series in original language:	
creation date:			1936
creation date earliest:		1936
creation date latest:		1936
current location:		
creditline:			Gift of Diann G. Mann and Thomas A. Mann
copyright:			©  Center for Creative Photography, Arizona Board of Regents / Artists Rights Society (ARS), New York

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culture:	America, 20th century
technique:	gelatin silver print
department:	Photography
collection:	PH - American 1900-1950
type:		Photograph
find spot:	
catalogue raisonne: 

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CREATORS

* Edward Weston (American, 1886–1958)  - artist
Edward Weston American, 1886-1958 Edward Weston was one of the most influential proponents of straight photography in America. Born in Highland Park, Illinois, he made his first photographs in 1902 with a Kodak camera given to him by his father. Four years later he settled in California, supporting himself as a portrait photographer. After attending the Illinois College of Photography, he opened a studio in Tropico (now Glendale), California, in 1911. Initially, Weston made photographs in the soft-focus pictorial style. In the early 1920s, however, his work began to become more sharply focused, with a greater emphasis on form and composition. Among the earliest examples of this new approach are his 1922 photographs of the Armco steel mill in Middletown, Ohio. Over the next few years he continued to experiment with this new style, working in Mexico and then San Francisco. A master of lighting and composition, Weston began a series of closeup studies of shells and vegetables in 1927, creating the clearly focused, detailed images for which he became famous. In 1932 Weston joined Ansel Adams, Willard Van Dyke, Imogen Cunningham, and others in founding Group f/64, which advocated straight, unmanipulated photography. Five years later he received the first fellowship awarded to a photographer by the John Simon Guggenheim Memorial Foundation. The fellowship was renewed in 1938 and allowed Weston to travel and photograph throughout California and the western United States. Working slowly and methodically with large-format cameras, Weston continued to produce sharply focused contact prints until 1948, when Parkinson's disease forced him to give up photography. In subsequent years Weston's sons, Brett and Cole, worked under his supervision to make prints from his negatives. M.M.
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measurements: Image: 18.2 x 24.3 cm (7 3/16 x 9 9/16 in.); Paper: 18.2 x 24.3 cm (7 3/16 x 9 9/16 in.); Mounted: 35 x 38.7 cm (13 3/4 x 15 1/4 in.)
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inscriptions:

	inscription:	Written in pencil on recto of mount in lower right: “EW 1936”
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	inscription:	Written in pencil on verso of mount: “235N/36/1800 00”
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	inscription:	Written in pencil on verso of mount: “Edward Weston/1936”
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	inscription:	Written in blue in on white adhesive label on verso of mount: “29”
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	inscription:	Written in pencil on foam core backing board: “CHARIS/ON DUNE/E WESTON/HIP DOWN”
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	inscription:	Black stamp of an armadillo on foam core backing board
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	inscription:	Written in red marker on verso of foam core backing board: “UV PLEXIGLAS (stamped in black ink)”
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	inscription:	Stamped in black ink on verso of foam core backing board: “KNIGHT WORKS, INC./240 PARKER AVENUE/CLIFTON, N.J. 07011/(201) 478-3034”
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	inscription:	Imprinted in black type on beige adhesive label on verso of foam core backing board: “04-OCT-18/Sale 16381/Lot 39/Christie’s”
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	inscription:	Imprinted in black type on white adhesive label on verso of foam core backing board: “SN00588463/170/1702251”
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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

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PROVENANCE

	Thomas A. and Diann G. Mann, Palm Beach Gardens, FL
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	the Cleveland Museum of Art, Cleveland, OH
	date: March 4, 2019
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RELATED WORKS

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CITATIONS

	Christie, Manson & Woods International Inc. An American Journey: The Diann G. and Thomas A. Mann Collection of Photographic Masterworks. 2018.
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IMAGES