id: 318300 accession number: 2019.58 share license status: Copyrighted url: https://clevelandart.org/art/2019.58 updated: 2023-03-22 03:05:20.738000 Blue Rational/Irrational, 1969. Al Loving (American, 1935–2005). Acrylic on canvas; 147 x 322.5 cm (57 7/8 x 126 15/16 in.). The Cleveland Museum of Art, Gift of the KeyBank Collection 2019.58 © The Estate of Al Loving and Garth Greenan Gallery, New York title: Blue Rational/Irrational title in original language: series: series in original language: creation date: 1969 creation date earliest: 1964 creation date latest: 1974 current location: 224A Contemporary Corridor creditline: Gift of the KeyBank Collection copyright: © The Estate of Al Loving and Garth Greenan Gallery, New York --- culture: America technique: Acrylic on canvas department: Contemporary Art collection: CONTEMP - Painting type: Painting find spot: catalogue raisonne: --- CREATORS * Al Loving (American, 1935–2005) - artist --- measurements: 147 x 322.5 cm (57 7/8 x 126 15/16 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS title: Contemporary Gallery Reinstallation 2021 opening date: 2021-04-20T04:00:00 Contemporary Gallery Reinstallation 2021. The Cleveland Museum of Art (organizer). title: Currents and Constellations: Black Art in Focus opening date: 2022-02-20T05:00:00 Currents and Constellations: Black Art in Focus. The Cleveland Museum of Art, Cleveland, OH (organizer) (February 20-June 26, 2022). --- LEGACY EXHIBITIONS * Alvin Loving: Paintings. Whitney Museum of American Art, New York, NY (December 19, 1969–January 25, 1970). * Frieze Masters. Garth Greenan Gallery, New York, NY (October 5 - October 9, 2016) --- PROVENANCE Collection of the artist date: 1969-? footnotes: citations: (KeyBank Collection, Cleveland, OH, given to the Cleveland Museum of Art, Cleveland, OH) date: early 1990s-2019 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: 2019- footnotes: citations: --- fun fact: This work debuted in Al Loving: Paintings (1969) at the Whitney Museum, the museum’s first solo exhibition by an African American artist. digital description: Across both canvases of this large-scale diptych, Loving evokes a three-dimensional space on a two-dimensional surface through strategic layerings of cubic forms and carefully calibrated color juxtapositions. Around the time Loving made this work he wrote, “I am tired of objects on walls. The wall must be pierced, brought forward, pushed back.” Blue Rational/Irrational is a bold manifestation of this sentiment. wall description: --- RELATED WORKS --- CITATIONS Cochrane, Mary, ed. The Appropriate Object. Buffalo, NY: Albright-Knox Art Gallery, 1989. page number: Mentioned: pp. 41- 49 url: Patel, Samir S, ed. Energy/Experimentation: Black Artists and Abstraction 1964-1980. New York: Studio Museum in Harlem, 2006. page number: 54-55 url: Cooke, Lynne, Douglas Crimp, et al. Outliers and American Vanguard Art. Washington: National Gallery of Art, 2018. page number: 96-97 url: Collection. "Building Blocks: A Look at Al Loving's Blue Rational/Irrational, 1969.” Cleveland Art: Cleveland Museum of Art Members Magazine 60, no. 3 (Summer 2020): 18-19. page number: Reproduced: P. 19; Mentioned: P. 18-19. url: Yoder, Dean. “Hidden Complexities: The Conservation of Al Loving's Blue Rational/Irrational.” Cleveland Art: Cleveland Museum of Art Members Magazine 61, no. 2 (Spring 2021): 36-37. page number: Reproduced: P. 36, 37: Mentioned: P. 4, 36-37. url: --- IMAGES