id:			350746
accession number:	2019.77
share license status:	CC0
url:			https://clevelandart.org/art/2019.77
updated:		2024-03-26 02:02:07.669000

Study for “In the Woods, Evening”, 1892–94. Alexandre Séon (French, 1855–1917). Colored pencils on beige laid paper; sheet: 35.3 x 23 cm (13 7/8 x 9 1/16 in.). The Cleveland Museum of Art, Norman O. Stone and Ella A. Stone Memorial Fund 2019.77

title:				Study for “In the Woods, Evening”
title in original language:	
series:				
series in original language:	
creation date:			1892–94
creation date earliest:		1892
creation date latest:		1894
current location:		
creditline:			Norman O. Stone and Ella A. Stone Memorial Fund
copyright:			

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culture:	France, 19th century
technique:	colored pencils on beige laid paper
department:	Drawings
collection:	DR - French
type:		Drawing
find spot:	
catalogue raisonne: 

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CREATORS

* Alexandre Séon (French, 1855–1917)  - artist
French painter, draftsman, and illustrator, 1855-1917
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measurements: Sheet: 35.3 x 23 cm (13 7/8 x 9 1/16 in.)
state of the work:	
edition of the work: 	

support materials:

	description:	modern laid paper
	watermarks:	

inscriptions:

	inscription:	inscribed, lower right, in blue pencil: Alex Séon; on verso, along top margin, in pencil: Alexandre SEON 1855–1917 / elève de Puvis de Chavannes ¬– la secheresse / de son dessin et sa stylization glacée, s’allient / à la tendresse de son couloris – / [4527]; on verso, on tape at right center, in pencil: 3
	translation:	
	remark:		

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CURRENT EXHIBITIONS

	title:		Nineteenth-Century French Drawings from the Cleveland Museum of Art
	opening date:   2023-01-20T05:00:00
	<i>Nineteenth-Century French Drawings from the Cleveland Museum of Art</i>. The Cleveland Museum of Art, Cleveland, OH (organizer) (January 20-April 30, 2023).

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LEGACY EXHIBITIONS

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PROVENANCE

	private collection, Brussels
	date: ?-2015
	footnotes: 	
	citations: 	


	(Eric Gillis Fine Art, Brussels)
	date: 2015-2016
	footnotes: 	
	citations: 	


	Private Collection, New York
	date: 2016-2018
	footnotes: 	
	citations: 	


	(Mireille Mosler., New York, NY, sold to the Cleveland Museum of Art, Cleveland, OH)
	date: 2018-2019
	footnotes: 	
	citations: 	


	Cleveland Museum of Art, Cleveland, OH
	date: 2019-
	footnotes: 	
	citations: 	


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fun fact:


digital description:


wall description:

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RELATED WORKS

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CITATIONS

	Bouyer, Raymond. “Le Bilan des deux salons.” <em>L’Ermitage </em>5 (1894).
	page number: 	Mentioned: p. 348 (discussion of related painting)
	url:		

	<em>Exposition Nationale des Beaux-Arts, Catalogue Illustré des ouvrages…exposés au Champ-de-Mars</em>. Paris: Georges Petit, 1894.
	page number: 	Mentioned: p. xxvii; Reproduced: p. 38 (mention of related painting)
	url:		

	Malterre, Félix. “Salon du Champ de Mars.” <em>Nouvelle revue international</em> 26 (1894)
	page number: 	Mentioned: p. 699 (discussion of related painting)
	url:		

	“Au Salon du Champ-de-Mars.” <em>L’Express du Midi</em> (June 11, 1894).
	page number: 	Mentioned: n.p. (discussion of related painting)
	url:		

	Jumeau-Lafond, Jean-David. <em>Alexandre Séon (1855-1917): La Beauté idéale</em>. Exh. Cat. Quimper: Musée des Beaux Arts, 2015.
	page number: 	Mentioned: p. 267 (discussion of printed reproduction of drawing)
	url:		

	<em>1525–1929: Paintings, Drawings &amp; Sculptures</em>. Brussels: Eric Gillis Fine Art, 2016.
	page number: 	Mentioned and reproduced: no. 22
	url:		

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/2019.77/2019.77_web.jpg
print:	https://openaccess-cdn.clevelandart.org/2019.77/2019.77_print.jpg
full:	https://openaccess-cdn.clevelandart.org/2019.77/2019.77_full.tif