id:			344406
accession number:	2019.84
share license status:	CC0
url:			https://clevelandart.org/art/2019.84
updated:		2024-03-26 02:02:06.625000

St. Cloud, 1915–19, printed 1931-late 1950s. Eugène Atget (French, 1857–1927). Gelatin silver print; image: 16.8 x 21.5 cm (6 5/8 x 8 7/16 in.); paper: 16.8 x 21.5 cm (6 5/8 x 8 7/16 in.); mounted: 32.9 x 25.3 cm (12 15/16 x 9 15/16 in.). The Cleveland Museum of Art, Gift of Arielle Kozloff Brodkey in memory of Dr. Jerald S. Brodkey 2019.84

title:				St. Cloud
title in original language:	
series:				
series in original language:	
creation date:			1915–19, printed 1931-late 1950s
creation date earliest:		1915
creation date latest:		1919
current location:		
creditline:			Gift of Arielle Kozloff Brodkey in memory of Dr. Jerald S. Brodkey
copyright:			

---

culture:	France, 20th century
technique:	gelatin silver print
department:	Photography
collection:	PH - French 20th Century
type:		Photograph
find spot:	
catalogue raisonne: 

---

CREATORS

* Eugène Atget (French, 1857–1927)  - artist
Eugène Atget French, 1857-1927

Relatively unknown to the public during his lifetime, Eugène Atget is today an icon -- one of the most celebrated and influential photographers of the 20th century. Born near Bordeaux, Atget first directed his efforts to painting and the stage before turning to photography shortly before 1890. He is best known for his documentary scenes of Paris and Versailles, but he photographed a number of other sites as well. Atget viewed his work as a historical and aesthetic record, regarding it as documentation for use by artists. Indeed, several artists are known to have painted from his images.
	Using relatively unsophisticated, even outdated equipment, Atget achieved a view of French architecture and culture that is both personal and factual. Along with the rediscovery of the images of Mathew Brady in the early 20th century, the recognition of Atget's artistic accomplishments shortly before his death by Berenice Abbott, Man Ray, and others helped turn photographers away from the mannered style of pictorialism toward the visual and technical clarity of modernism. Marked by a selective and highly individual method, his is among the most widely shown, published, and recognized work in photography today. T.W.F.
---

measurements: Image: 16.8 x 21.5 cm (6 5/8 x 8 7/16 in.); Paper: 16.8 x 21.5 cm (6 5/8 x 8 7/16 in.); Mounted: 32.9 x 25.3 cm (12 15/16 x 9 15/16 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

	inscription:	Written in pencil on verso: "Eugene Atget"
	translation:	
	remark:		

---

CURRENT EXHIBITIONS

---

LEGACY EXHIBITIONS

---

PROVENANCE

	Afterimage Gallery, Dallas, TX
	date: 
	footnotes: 	
	citations: 	


	Arielle Broadkey, Cleveland, OH
	date: 1976
	footnotes: 	
	citations: 	


	The Cleveland Museum of Art, Cleveland, OH
	date: June 3, 2019
	footnotes: 	
	citations: 	


---

fun fact:


digital description:


wall description:

---

RELATED WORKS

---

CITATIONS

---

IMAGES

web:	https://openaccess-cdn.clevelandart.org/2019.84/2019.84_web.jpg
print:	https://openaccess-cdn.clevelandart.org/2019.84/2019.84_print.jpg
full:	https://openaccess-cdn.clevelandart.org/2019.84/2019.84_full.tif