id:			90542
accession number:	2020.103
share license status:	Copyrighted
url:			https://clevelandart.org/art/2020.103
updated:		2021-06-08 09:00:17.214000

Basket of Anemones, 1924. Georges Braque (French, 1882-1963). Oil on canvas; overall: 35.6 x 78.7 cm (14 x 31 in.). The Cleveland Museum of Art, Nancy F. and Joseph P. Keithley Collection Gift 2020.103 © Artists Right Society (ARS), New York / ADAGP, Paris

title:				Basket of Anemones
title in original language:	
series:				
series in original language:	
creation date:			1924
creation date earliest:		1924
creation date latest:		1924
current location:		223 20th Century Avant-Garde
creditline:			Nancy F. and Joseph P. Keithley Collection Gift
copyright:			© Artists Right Society (ARS), New York / ADAGP, Paris

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culture:	France, 20th century
technique:	oil on canvas
department:	Modern European Painting and Sculpture
collection:	Mod Euro - Painting 1800-1960
type:		Painting
find spot:	
catalogue raisonne: 

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CREATORS

* Georges Braque (French, 1882-1963)  - artist

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measurements: Overall: 35.6 x 78.7 cm (14 x 31 in.)
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support materials:


inscriptions:

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

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PROVENANCE

	G.F. Gerber, Barmen & Lausanne Chiodera, Kunsnacht, Switzerland
	date: 
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	(Christie's, London, United Kingdom,  June 26, 1989, lot 37)
	date: 1989
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	(Christie's, New York, NY, November 9, 2000, lot 237)
	date: 2000
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	(Richard Feigen Gallery, New York, NY)
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	Nancy F. and Joseph P. Keithley, Cleveland, OH, given to the Cleveland Museum of Art
	date: ?–2020
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	The Cleveland Museum of Art, Cleveland, OH
	date: 2020–
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fun fact: 


digital description: 


wall description: 
Georges Braque and Pablo Picasso worked closely together in the invention of Cubism from 1908 to 1914. “We were like two mountain climbers roped together,” Braque recalled. They separated when Braque enlisted in the French army at the outbreak of WWI in August 1914. Following a severe head wound and hospitalization, he returned to painting in 1916, but worked alone developing a personal Cubist style concerned with complex spatial constructions, color relationships, and textured surfaces. The flowers and basket in this still life are flattened, pressed tightly against the upright forms in the background, and surrounded by an illusionistic shadow. A decorator’s comb was used to create the wood grain pattern in the tabletop.
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RELATED WORKS

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CITATIONS

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IMAGES