id: 85885 accession number: 2020.121 share license status: Copyrighted url: https://clevelandart.org/art/2020.121 updated: 2023-03-03 07:00:54.666000 Landscape at Le Lavandou, 1952. Nicolas de Stael (French, 1914–1955). Oil on canvas; unframed: 37.8 x 81 cm (14 7/8 x 31 7/8 in.). The Cleveland Museum of Art, Nancy F. and Joseph P. Keithley Collection Gift 2020.121 title: Landscape at Le Lavandou title in original language: series: series in original language: creation date: 1952 creation date earliest: 1952 creation date latest: 1952 current location: creditline: Nancy F. and Joseph P. Keithley Collection Gift copyright: --- culture: France technique: oil on canvas department: Modern European Painting and Sculpture collection: Mod Euro - Painting 1800-1960 type: Painting find spot: catalogue raisonne: --- CREATORS * Nicolas de Stael (French, 1914–1955) - artist --- measurements: Unframed: 37.8 x 81 cm (14 7/8 x 31 7/8 in.) state of the work: edition of the work: support materials: inscriptions: inscription: Artist’s signature: Staël translation: remark: --- CURRENT EXHIBITIONS title: Impressionism to Modernism: The Keithley Collection opening date: 2022-09-11T04:00:00 Impressionism to Modernism: The Keithley Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 11, 2022-January 8, 2023). --- LEGACY EXHIBITIONS * Nicolas de Staël (1914-1955): Peintures et Dessins, Galerie Motte, Geneva, Switzerland, (July-August 1967) --- PROVENANCE Alexandre Farra, Paris, France date: before 1967 footnotes: *
“Nicolas de Staël (1914–1955): Peintures et Dessins,” Galerie Motte, Geneva, July-August 1967, cat. no. 24, notes the painting was previously in the Collection Farra, Paris. 
citations: (Galerie Brame, Paris, France, sold to Rachel Lambert (Mrs. Paul) Mellon [1911–2014]) date: 1969 footnotes: *
According to Germain Viatte, André Chastel, and Anne de Staël, Nicolas de Staël: Catalogue Raisonné de l'Oeuvre Peint (Neuchâtel: Ides et Calendes, 1997), p. 378, cat. no. 498, ill. 
citations: Rachel Lambert (Mrs. Paul) Mellon [1911–2014] date: 1969–2014 footnotes: *
According to Germain Viatte, André Chastel, and Anne de Staël, Nicolas de Staël: Catalogue Raisonné de l'Oeuvre Peint (Neuchâtel: Ides et Calendes, 1997), p. 378, cat. no. 498, ill. 
citations: (Sotheby's, New York, NY, Property from the Collection of Mrs. Paul Mellon, November 10, 2014, lot 10, sold to Nancy F. and Joseph P. Keithley) date: November 10, 2014 footnotes: citations: Nancy F. and Joseph P. Keithley, Cleveland, OH, given to the Cleveland Museum of Art date: 2014–2020 footnotes: citations: The Cleveland Museum of Art date: 2020– footnotes: citations: --- fun fact: The favorite artist of French New Wave filmmaker Jean-Luc Godard, De Staël is cited as an influence on the use of primary colors in the 1965 film Pierrot Le Fou. digital description: wall description: Nicolas de Stael painted Landscape at Le Lavandou at a major turning point in his artistic development. After years of painting abstract compositions in the studio, he surprised his contemporaries when he began working outdoors in 1952. Seeking greater contact with nature, he spent his last years working largely along the Mediterranean coast. His attempt at reconciling abstraction and figuration, not valuing one over the other, was regarded as a breakthrough toward a more lyrical, French form of abstraction in the tradition of Paul Cézanne, Georges Braque, and Henri Matisse. The long, horizontal composition in this painting is divided into zones of blue and red that evoke associations with land and sea. --- RELATED WORKS --- CITATIONS Staël, Nicolas de, André Chastel, Germain Viatte, Jacques Dubourg, and Françoise de Staël. Nicolas De Staël. Paris, France: le Temps 1968. page number: Reproduced: p. 183, cat. no. 362 url: Viatte, Germain, André Chastel, and Anne de Staël. Nicolas de Staël: catalogue raisonné de l'œuvre peint. Neuchâtel, Switzerland: Ides et Calendes, 1997. page number: Reproduced: p. 378, no. 498 url: Nicolas de Staël, 1914-1955: Peintures et Dessins: Juillet-Août 1967. Genève: Galerie Motte, 1967. page number: Mentioned and reproduced: P. 16, no. 24 url: --- IMAGES