id:			80647
accession number:	2020.127
share license status:	CC0
url:			https://clevelandart.org/art/2020.127
updated:		2021-06-08 09:00:08.283000

A View of Bracciano with the Church of S. Maria Assunta, c. 1619–33. Bartholomeus Breenberg (Dutch, 1599-1657). Brown wash with touches of gray wash and graphite; image and sheet: 8.7 x 15 cm (3 7/16 x 5 7/8 in.); mounted: 23.6 x 30.8 cm (9 5/16 x 12 1/8 in.). The Cleveland Museum of Art, Nancy F. and Joseph P. Keithley Collection Gift 2020.127

title:				A View of Bracciano with the Church of S. Maria Assunta
title in original language:	
series:				
series in original language:	
creation date:			c. 1619–33
creation date earliest:		1614
creation date latest:		1638
current location:		
creditline:			Nancy F. and Joseph P. Keithley Collection Gift
copyright:			

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culture:	Netherlands
technique:	brown wash with touches of gray wash and graphite
department:	Drawings
collection:	DR - Dutch
type:		Drawing
find spot:	
catalogue raisonne: 

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CREATORS

* Bartholomeus Breenberg (Dutch, 1599-1657)  - artist

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measurements: Image and Sheet: 8.7 x 15 cm (3 7/16 x 5 7/8 in.); Mounted: 23.6 x 30.8 cm (9 5/16 x 12 1/8 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

	inscription:	Written in brown ink on recto of mount, lower left: "Bracciano"
	translation:	
	remark:		

	inscription:	Written in brown ink on recto of mount, lower right: "J. Bischop"
	translation:	
	remark:		

	inscription:	Written in pencil on recto of mount, lower right: "610"
	translation:	
	remark:		

	inscription:	Written in pencil on verso of mount: "53"
	translation:	
	remark:		

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

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PROVENANCE

	with Johan Bosch van Rosenthal
	date: 
	footnotes: 	
	citations: 	


	Mr. and Mrs. Joseph P. Keithley, Cleveland, OH
	date: 
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	the Cleveland Museum of Art, Cleveland, OH
	date: March 2, 2020
	footnotes: 	
	citations: 	


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fun fact: 
In the early 17th century, European artists were just beginning to make sketches such as this one outdoors and onsite.

digital description: 
In the early 1600s, artists from Northern Europe began to take long trips to Italy as part of their artistic training. Bartholomeus Breenberg traveled to Italy around 1620 and probably stayed for at least 12 years. While there, he sketched ancient ruins and the countryside, features he would use in his paintings when he returned to Amsterdam in the 1630s. The area around the Lago di Bracciano, a volcanic lake northwest of Rome, was home to several medieval villages that provided charming vistas for artists. In his view, Breenberg emphasized the crumbling turret of a medieval castle in Bracciano in front of the ordered, linear outline of the Church of Santa Maria Assunta beyond. Combining gray and brown ink washes to plot gradations in tone, he created vivid contrasts of light and shade, capturing the effects of the bright Italian sunshine.

wall description: 

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RELATED WORKS

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CITATIONS

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/2020.127/2020.127_web.jpg
print:	https://openaccess-cdn.clevelandart.org/2020.127/2020.127_print.jpg
full:	https://openaccess-cdn.clevelandart.org/2020.127/2020.127_full.tif