{
"data": {
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"accession_number": "2020.143",
"share_license_status": "CC0",
"tombstone": "The Beach at Saint-Jacut, 1909. \u00c9douard Vuillard (French, 1868\u20131940). Distemper on paper, laid down on canvas; image and sheet: 57.8 x 43.2 cm (22 3/4 x 17 in.); mounted: 58.7 x 44.3 cm (23 1/8 x 17 7/16 in.). The Cleveland Museum of Art, Nancy F. and Joseph P. Keithley Collection Gift, 2020.143",
"current_location": null,
"title": "The Beach at Saint-Jacut",
"creation_date": "1909",
"creation_date_earliest": 1909,
"creation_date_latest": 1909,
"artists_tags": [
"male"
],
"culture": [
"France, 20th century"
],
"technique": "distemper on paper, laid down on canvas",
"support_materials": [],
"department": "Drawings",
"collection": "DR - French",
"type": "Drawing",
"measurements": "Image and Sheet: 57.8 x 43.2 cm (22 3/4 x 17 in.); Mounted: 58.7 x 44.3 cm (23 1/8 x 17 7/16 in.)",
"dimensions": {
"image and sheet": {
"height": 0.578,
"height_inch": 22,
"height_inch_fraction": 0.75,
"width": 0.432,
"width_inch": 17,
"width_inch_fraction": 0.0
},
"mounted": {
"height": 0.587,
"height_inch": 23,
"height_inch_fraction": 0.125,
"width": 0.443,
"width_inch": 17,
"width_inch_fraction": 0.4375
}
},
"state_of_the_work": null,
"edition_of_the_work": null,
"copyright": null,
"inscriptions": [
{
"inscription": "stamped, in black ink, at lower right: E. Vuillard [Lugt 2497a]",
"inscription_translation": null,
"inscription_remark": null,
"sortorder": null
}
],
"exhibitions": {
"current": [
{
"id": 396695,
"title": "Impressionism to Modernism: The Keithley Collection",
"description": "Impressionism to Modernism: The Keithley Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 11, 2022-January 8, 2023).",
"opening_date": "2022-09-11T04:00:00"
}
],
"legacy": []
},
"provenance": [
{
"description": "Studio of the artist [1868-1940; Lugt 2497a]",
"citations": [],
"footnotes": [],
"date": "1909-1940",
"sortorder": 1
},
{
"description": "(sale, Galerie Motte, Geneva, June 16, 1972, no. 28)",
"citations": [],
"footnotes": [],
"date": "1972",
"sortorder": 2
},
{
"description": "(sale, Hotel President, Geneva, December 3-12, 1989, no. 3159)",
"citations": [],
"footnotes": [],
"date": "1989",
"sortorder": 3
},
{
"description": "Private collection, Paris",
"citations": [],
"footnotes": [],
"date": "after 1989-before 2008",
"sortorder": 4
},
{
"description": "(Neffe-Degrandt Fine Art, London, sold to private collection, Japan)",
"citations": [],
"footnotes": null,
"date": "1999",
"sortorder": 5
},
{
"description": "Private collection, Japan",
"citations": [],
"footnotes": null,
"date": "after 1999",
"sortorder": 6
},
{
"description": "(Jill Newhouse, New York, NY)",
"citations": [],
"footnotes": null,
"date": "after 1999-2008",
"sortorder": 7
},
{
"description": "Nancy F. and Joseph P. Keithley, Cleveland, OH",
"citations": [],
"footnotes": [],
"date": "2008-2020",
"sortorder": 8
},
{
"description": "The Cleveland Museum of Art, Cleveland, OH",
"citations": [],
"footnotes": [],
"date": "2020-",
"sortorder": 9
}
],
"find_spot": null,
"related_works": [],
"former_accession_numbers": [],
"did_you_know": "Vuillard created this drawing using distemper, a technique that involves mixing pigment and glue, which he favored at this time for the planes of matte color that resulted.",
"early_education_description": null,
"artlens_description": null,
"description": "\u00c9douard Vuillard spent the summer of 1909 in the French coastal town of Saint-Jacut de la Mer, known for its beaches and bathing. Sharing housing with a group of artist friends, Vuillard sketched and painted avidly, depicting the seascape in several works including this drawing. Here, the artist emphasized the remoteness of the beach, depicting a woman sitting alone, wearing a gray dress that matches the tone of the infinitely expanding sky beyond her.",
"external_resources": {
"wikidata": [
"https://www.wikidata.org/wiki/Q87480847"
],
"internet_archive": [
"https://archive.org/details/clevelandart-2020.143-the-beach-at-saint-j"
]
},
"citations": [
{
"citation": "Chastel, Andr\u00e9. Vuillard, 1868\u20131940. Paris: Floury, 1946.",
"page_number": "Mentioned and reproduced: p. 71",
"url": ""
},
{
"citation": "Ventes aux ench\u00e8res publiques. Geneva: H\u00f4tel Pr\u00e9sident, 1989.",
"page_number": "Mentioned and reproduced: pp. 222\u2013223, no. 3159",
"url": ""
},
{
"citation": "Salomon, Antoine and Guy Cogeval. Vuillard: The Inexhaustible Glance, Critical Catalogue of Paintings and Pastels. Paris: Wildenstein, 2003.",
"page_number": "Mentioned and reproduced: vol. II, p. 985, no. VIII-345",
"url": "https://view.publitas.com/wildenstein-plattner-institute-ol46yv9z6qv6/c-r_edouard_vuillard_volume_ii_wildenstein_institute/page/456-457"
},
{
"citation": "Groom, Gloria. \"Edouard Vuillard.\" In The Keithley Collection at the Cleveland Museum of Art, edited by Heather Lemonedes Brown, 76-101. Cleveland, OH: The Cleveland Museum of Art, 2022.",
"page_number": "Mentioned and reproduced: p. 100-101; Mentioned: p. 273-274",
"url": ""
}
],
"catalogue_raisonne": "Salomon and Cogeval VIII-345",
"url": "https://clevelandart.org/art/2020.143",
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"creditline": "Nancy F. and Joseph P. Keithley Collection Gift",
"image_credit": null,
"sketchfab_id": null,
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"gallery_donor_text": null,
"athena_id": 83453,
"creators": [
{
"id": 1833,
"description": "\u00c9douard Vuillard (French, 1868\u20131940)",
"extent": null,
"qualifier": null,
"role": "artist",
"biography": "After attending the Lyc\u00e9e Condorcet, \u00c9douard Vuillard entered the studio of history painter Diog\u00e8ne Maillart (1840-1926). In 1886 he enrolled at the Acad\u00e9mie Julian, where he was taught by Tony Robert-Fleury (1837-1911) and Bouguereau (q.v.). The following year he was accepted into the \u00c9cole des Beaux-Arts and was briefly in the atelier of G\u00e9r\u00f4me (q.v.). At this time he also studied seventeenth-century Dutch painting and the works of Chardin (1699-1779). By 1889 Vuillard was persuaded by his friend painter and theorist Maurice Denis (1870-1943) to join the newly formed group of artists known as the Nabis. The Nabis based many of their ideas on synthetism, first developed by Gauguin (q.v.) and \u00c9mile Bernard (1868-1941), in which the artist was to work not from nature but from memory. Vuillard's initial synthetist works reveal a preoccupation with pattern and bright colors, denying the three-dimensionality of the object. By 1892, however, his colors were more subdued, reflecting his desire to mimic the unusual lighting effects that he had seen in symbolist theater. Vuillard's first major commissions date from this time, including nine panels for the dining room of Alexandre Natanson and four decorative panels for the library of Dr. Henri Vaquez. In 1898 Vuillard visited Venice and Florence, and the following year he and Bonnard (q.v.), a fellow member of the Nabis, made an excursion to London. Later they went to Milan and Venice and eventually to Spain. Vuillard also made trips to Brittany and Normandy. His first public commission came in 1912, when he was asked to paint panels for the foyer of the Com\u00e9die des Champs-Elys\u00e9es in Paris. During that period he moved beyond the synthetism of the Nabis and returned to a more traditional perspective. At the same time he was accepting commissions for portraits. In 1936 he was chosen to paint a mural at the Palais des Nations in Geneva and was subsequently elected to the Institut de France.",
"name_in_original_language": null,
"birth_year": "1868",
"death_year": "1940",
"use_in_caption": true,
"include_extent": false,
"weight": 1
}
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"legal_status": "accessioned",
"accession_date": "2020-03-02T00:00:00-05:00",
"sortable_date": 1909,
"date_added_to_oa": null,
"date_text": "1909",
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"recently_acquired": false,
"record_type": "object",
"conservation_statement": null,
"has_conservation_images": false,
"cover_accession_number": null,
"is_nazi_era_provenance": false,
"impression": null,
"alternate_titles": [],
"is_highlight": false,
"updated_at": "2026-06-11 12:17:39.208000"
}
}