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"tombstone": "Qingbai Ware Bowl with Cover, 1100s\u20131200s. South China, Southern Song dynasty (1127\u20131279). Porcelain with pale bluish-white glaze, Qingbai ware; silver mount; overall: 11.8 x 15.3 cm (4 5/8 x 6 in.). The Cleveland Museum of Art, Nancy F. and Joseph P. Keithley Collection Gift, 2020.173.2",
"current_location": null,
"title": "Qingbai Ware Bowl with Cover",
"creation_date": "1100s\u20131200s",
"creation_date_earliest": 1127,
"creation_date_latest": 1279,
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"culture": [
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"technique": "Porcelain with pale bluish-white glaze, Qingbai ware; silver mount",
"support_materials": [],
"department": "Chinese Art",
"collection": "China - Song Dynasty",
"type": "Ceramic",
"measurements": "Overall: 11.8 x 15.3 cm (4 5/8 x 6 in.)",
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"height": 0.118,
"height_inch": 4,
"height_inch_fraction": 0.625,
"width": 0.153,
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"lid": {
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"bowl": {
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{
"id": 396695,
"title": "Impressionism to Modernism: The Keithley Collection",
"description": "Impressionism to Modernism: The Keithley Collection. The Cleveland Museum of Art, Cleveland, OH (organizer) (September 11, 2022-January 8, 2023).",
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{
"description": "(K.Y. Fine Art, Hong Kong, sold to Mr. and Mrs. Joseph P. Keithley)",
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"footnotes": null,
"date": "?\u20132004",
"sortorder": 1
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"description": "Nancy F. and Joseph P. Keithley, Cleveland, OH, given to the Cleveland Museum of Art",
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"date": "2004\u20132020",
"sortorder": 2
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{
"description": "The Cleveland Museum of Art, Cleveland, OH",
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"date": "2020\u2013",
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"did_you_know": "The kilns in which qingbai ware were fired used pine wood as fuel, preventing oxidation and creating the distinct blue-green tint.",
"early_education_description": null,
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"description": "While dark-glazed ceramics resemble black lacquer ware, and celadons were often compared to green jade, white or bluish-white glazed stoneware imitates silver. Here, broad silver bands around the bowls\u2019 rims accentuate their precious appearance. The incised petals are inspired by lotus flowers and the domed covers by their circular leaves. The lotus motif often indicates the use of an object in a Buddhist context, in which it is a symbol of purity as its flowers emerge unsullied from the mud of lakes and ponds. Alternatively, these bowls may have been used to hold food at banquets.",
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"citations": [
{
"citation": "Vainker, S. J. Chinese Pottery and Porcelain. London: British Museum, 2005.",
"page_number": "",
"url": ""
},
{
"citation": "Von Spee, Clarissa. \"Chinese Ceramics and Works on Paper.\" In The Keithley Collection at the Cleveland Museum of Art, edited by Heather Lemonedes Brown, 194\u2013229. Cleveland, OH: The Cleveland Museum of Art, 2022.",
"page_number": "Mentioned and Reproduced: pp. 206\u2013207; Mentioned: pp. 259\u2013261",
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}
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