id:			380096
accession number:	2020.193
share license status:	Copyrighted
url:			https://clevelandart.org/art/2020.193
updated:		2022-04-22 09:01:07.054000

Box with Japanese Crested Ibises in Lotus Pond, 2006. Takegoshi Jun (Japanese, b. 1948). Porcelain with overglaze color enamel; 19.5 x 29 x 13 cm (7 11/16 x 11 7/16 x 5 1/8 in.); lid: 15.8 x 29 x 13 cm (6 1/4 x 11 7/16 x 5 1/8 in.); box: 13.8 x 29 x 13 cm (5 7/16 x 11 7/16 x 5 1/8 in.). The Cleveland Museum of Art, Nancy F. and Joseph P. Keithley Collection Gift 2020.193

title:				Box with Japanese Crested Ibises in Lotus Pond
title in original language:	「蓮田の鴾」磁の篋
series:				
series in original language:	
creation date:			2006
creation date earliest:		2006
creation date latest:		2006
current location:		
creditline:			Nancy F. and Joseph P. Keithley Collection Gift
copyright:			

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culture:	Japan, Heisei period (1989-2019)
technique:	porcelain with overglaze color enamel
department:	Japanese Art
collection:	Japanese Art
type:		Ceramic
find spot:	
catalogue raisonne: 

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CREATORS

* Takegoshi Jun (Japanese, b. 1948)  - artist

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measurements: 19.5 x 29 x 13 cm (7 11/16 x 11 7/16 x 5 1/8 in.); Lid: 15.8 x 29 x 13 cm (6 1/4 x 11 7/16 x 5 1/8 in.); Box: 13.8 x 29 x 13 cm (5 7/16 x 11 7/16 x 5 1/8 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

	inscription:	Box inscription (obverse): 「蓮田の鴾」　磁の篋　潤　武腰潤之印（印）
	translation:	
	remark:		

	inscription:	Painted seal on base: 潤之印
	translation:	
	remark:		

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

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PROVENANCE

	(Joan B. Mirviss Ltd., New York, NY, sold to Mr. and Mrs. Joseph P. Keithley)
	date: ?-2007
	footnotes: 	
	citations: 	


	Nancy F. and Joseph P. Keithley, Cleveland, OH, given to the Cleveland Museum of Art
	date: 2007-2020
	footnotes: 	
	citations: 	


	The Cleveland Museum of Art, Cleveland, OH
	date: 2020-
	footnotes: 	
	citations: 	


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fun fact: 


digital description: 
Takegoshi Jun is a fourth-generation Kutani ware porcelain artist. Characterized by a series of distinctive palettes of color enamels over glazed porcelain, Kutani ware has been produced in what is now Japan’s Ishikawa prefecture since the early 1800s. The sophisticated bird-and-flower imagery seen in much of Takegoshi’s work stems from his formal training as a Nihonga, or Japanese–style, painter. He executes his designs in the five-color (<em>go-sai</em>) mode.

wall description: 

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