{
    "data": {
        "id": 322273,
        "accession_number": "2020.328",
        "share_license_status": "Copyrighted",
        "tombstone": "Working: I can take six months or more of on-the-job training to become a microelectronics assembly technician. Only young people can do this work as your eyes don't last. The circuit I'm working on is part of a guidance system for military aircraft. I ride horses and play tennis to relieve the tension, 1976, printed later. Bill Owens (American, b. 1938). Gelatin silver print; image: 15.4 x 20.7 cm (6 1/16 x 8 1/8 in.); paper: 20.2 x 25.1 cm (7 15/16 x 9 7/8 in.). The Cleveland Museum of Art, Gift of George Stephanopoulos, 2020.328",
        "current_location": null,
        "title": "I can take six months or more of on-the-job training to become a microelectronics assembly technician. Only young people can do this work as your eyes don't last. The circuit I'm working on is part of a guidance system for military aircraft. I ride horses and play tennis to relieve the tension",
        "series": "Working",
        "creation_date": "1976, printed later",
        "creation_date_earliest": 1976,
        "creation_date_latest": 1976,
        "artists_tags": [
            "male"
        ],
        "culture": [
            "America"
        ],
        "technique": "gelatin silver print",
        "support_materials": [],
        "department": "Photography",
        "collection": "PH - American 1951-Present",
        "type": "Photograph",
        "measurements": "Image: 15.4 x 20.7 cm (6 1/16 x 8 1/8 in.); Paper: 20.2 x 25.1 cm (7 15/16 x 9 7/8 in.)",
        "dimensions": {
            "image": {
                "height": 0.154,
                "width": 0.207
            },
            "paper": {
                "height": 0.202,
                "width": 0.251
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [
            {
                "inscription": "Written in pencil on verso: \"0975M 2000\"",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            },
            {
                "inscription": "Written in pencil on verso: \"Bill Owens (signed)\"",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            },
            {
                "inscription": "Stamped in black ink on verso: \"\u00a9 BILL OWENS/EXTRA BOOK PRINT\"",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            },
            {
                "inscription": "Written in pencil on verso: \"W67*\"",
                "inscription_translation": null,
                "inscription_remark": null,
                "sortorder": null
            }
        ],
        "exhibitions": {
            "current": [],
            "legacy": []
        },
        "provenance": [
            {
                "description": "George Stephanopoulos [1961-], New York, NY",
                "citations": [],
                "footnotes": null,
                "date": "?-2020",
                "sortorder": 1
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": null,
                "date": "December 7, 2020",
                "sortorder": 2
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "There was a serious decline in job satisfaction in America in the last half of the 1970s.",
        "description": "In his examination of people\u2019s attitudes towards their jobs, Owens gives us the subjects\u2019 own words to accompany his images of them. The series was not as much a critique as a mirror that allowed people some distance from which to view their situation. This and his other projects conveyed both the comfort of suburban middle class life and an undercurrent of dissatisfaction and disillusionment with it.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q117235840"
            ],
            "internet_archive": []
        },
        "citations": [],
        "url": "https://clevelandart.org/art/2020.328",
        "images": {},
        "alternate_images": [],
        "creditline": "Gift of George Stephanopoulos",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 322273,
        "creators": [
            {
                "id": 291453,
                "description": "Bill Owens (American, b. 1938)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": "American photographer, born 1938",
                "name_in_original_language": null,
                "birth_year": "1938",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "2020-12-07T00:00:00-05:00",
        "sortable_date": 1976,
        "date_added_to_oa": null,
        "date_text": "1976, printed later",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "object",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": null,
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [],
        "is_highlight": false,
        "updated_at": "2026-03-27 00:06:09.648000"
    }
}