id: 376241 accession number: 2020.73 share license status: Copyrighted url: https://clevelandart.org/art/2020.73 updated: 2023-03-22 03:05:28.009000 Second Beauty Composite: Jane Fonda, Jacqueline Bisset, Diane Keaton, Brooke Shields, Meryl Streep, 1982. Nancy Burson (American, b. 1948). Gelatin silver print; image: 20.9 x 22.7 cm (8 1/4 x 8 15/16 in.); framed: 46.4 x 46.5 cm (18 1/4 x 18 5/16 in.). The Cleveland Museum of Art, The Jane B. Tripp Charitable Lead Annuity Trust 2020.73 © Nancy Burson title: Second Beauty Composite: Jane Fonda, Jacqueline Bisset, Diane Keaton, Brooke Shields, Meryl Streep title in original language: series: series in original language: creation date: 1982 creation date earliest: 1982 creation date latest: 1982 current location: creditline: The Jane B. Tripp Charitable Lead Annuity Trust copyright: © Nancy Burson --- culture: America, 20th century technique: gelatin silver print department: Photography collection: PH - American 1951-Present type: Photograph find spot: catalogue raisonne: --- CREATORS * Nancy Burson (American, b. 1948) - artist --- measurements: Image: 20.9 x 22.7 cm (8 1/4 x 8 15/16 in.); Framed: 46.4 x 46.5 cm (18 1/4 x 18 5/16 in.) state of the work: edition of the work: support materials: inscriptions: inscription: Written in black ink on recto: "Second Beauty Composite © 1982 Nancy Burson (signed) 11/15" translation: remark: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS --- PROVENANCE John J. McDonough Museum of Art, Youngstown State University, Youngstown, OH date: footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: March 2, 2020 footnotes: citations: --- fun fact: Standards of beauty vary not only across cultures but also through time. digital description: By compositing the faces of female movie stars from two different eras, Nancy Burson helps us see how the type of face considered photogenic and therefore beautiful changed over the space of just a couple of decades. Curiously, creating digital composites of women took Nancy Burson longer than producing composites of men because women’s hairstyles are much more varied. wall description: --- RELATED WORKS --- CITATIONS Burson, Nancy, Richard Carling, and David Kramlich. Composites: Computer-Generated Portraits. New York: Beech Tree Books, 1986. page number: url: Burson, Nancy, Michael L. Sand, Lynn Gumpert, Terrie Sultan, and Christopher C. French. Seeing and Believing: The Art of Nancy Burson. Santa Fe, N.M.: Twin Palms, 2002. page number: url: --- IMAGES