id: 446714 accession number: 2021.169 share license status: CC0 url: https://clevelandart.org/art/2021.169 updated: 2022-02-24 10:01:12.701000 The Sacrifice of Polyxena, 1667. Gerard de Lairesse (Flemish, 1641-1711). Etching; platemark: 30.5 x 38.7 cm (12 x 15 1/4 in.); sheet: 33.1 x 41.4 cm (13 1/16 x 16 5/16 in.). The Cleveland Museum of Art, L. E. Holden Fund 2021.169 title: The Sacrifice of Polyxena title in original language: series: series in original language: creation date: 1667 creation date earliest: 1667 creation date latest: 1667 current location: creditline: L. E. Holden Fund copyright: --- culture: Netherlands technique: etching department: Prints collection: PR - Etching type: Print find spot: catalogue raisonne: Hollstein 52 --- CREATORS * Gerard de Lairesse (Flemish, 1641-1711) - artist --- measurements: Platemark: 30.5 x 38.7 cm (12 x 15 1/4 in.); Sheet: 33.1 x 41.4 cm (13 1/16 x 16 5/16 in.) state of the work: II/VI edition of the work: support materials: inscriptions: inscription: in plate: Gerardus Lairesse inventor/fecit et excudit Amstelodami translation: remark: inscription: Inscription or possible description in what appears to be French on verso. Nearly illegible. translation: remark: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS --- PROVENANCE James Bergquist, Boston, MA, sold to The Cleveland Museum of Art date: ?-2021 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: December 6, 2021- footnotes: citations: --- fun fact: Gerard de Lairesse was called the “Dutch Poussin” for his role in bringing a French artistic style to the Netherlands in the late 17th century. digital description: After the fall of Troy, the Trojan women were divided among the Greeks. Achilles arose from his grave and demanded that Polyxena, the daughter of King Priam and Queen Hecuba, be slain on his tomb in order to join him in the afterlife. Behind a blindfolded Polyxena who awaits her fate on a sacrificial altar in this image, Achilles appears in warrior’s garb on a rearing horse. The Dutch De Lairesse’s figures are firmly modeled, and the space clearly defined with classical architecture, and reflect his interest in French art of the same period. wall description: --- RELATED WORKS --- CITATIONS Timmers, J. J. M. Gérard Lairesse. Amsterdam: H.J. Paris, 1942. page number: No. 52 url: Ackley, Clifford S. Printmaking in the Age of Rembrandt. Boston: Museum of Fine Arts, 1981. page number: cat. no. 173, pp. 252-3. url: Roy, Alain. Gérard de Lairesse, 1640-1711. Paris: Arthena, 1992. page number: Gravures 9 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/2021.169/2021.169_web.jpg print: https://openaccess-cdn.clevelandart.org/2021.169/2021.169_print.jpg full: https://openaccess-cdn.clevelandart.org/2021.169/2021.169_full.tif