{
    "data": {
        "id": 447503,
        "accession_number": "2021.201",
        "share_license_status": "Copyrighted",
        "tombstone": "Jeu de Paume, 1967, printed 1980. Joel Meyerowitz (American, b. 1938). Dye transfer print; image: 40.6 x 50.8 cm (16 x 20 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg, 2021.201",
        "current_location": null,
        "title": "Jeu de Paume",
        "creation_date": "1967, printed 1980",
        "creation_date_earliest": 1967,
        "creation_date_latest": 1967,
        "artists_tags": [
            "Jewish artists",
            "male"
        ],
        "culture": [
            "America"
        ],
        "technique": "dye transfer print",
        "support_materials": [],
        "department": "Photography",
        "collection": "PH - American 1951-Present",
        "type": "Photograph",
        "measurements": "Image: 40.6 x 50.8 cm (16 x 20 in.)",
        "dimensions": {
            "image": {
                "height": 0.406,
                "height_inch": 16,
                "height_inch_fraction": 0.0,
                "width": 0.508,
                "width_inch": 20,
                "width_inch_fraction": 0.0
            }
        },
        "state_of_the_work": null,
        "edition_of_the_work": null,
        "copyright": null,
        "inscriptions": [],
        "exhibitions": {
            "current": [],
            "legacy": []
        },
        "provenance": [
            {
                "description": "Michael Mattis and Judith Hochberg, Scarsdale, NY, given to The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": null,
                "date": "?-2021",
                "sortorder": 1
            },
            {
                "description": "The Cleveland Museum of Art, Cleveland, OH",
                "citations": [],
                "footnotes": null,
                "date": "December 6, 2021-",
                "sortorder": 2
            }
        ],
        "find_spot": null,
        "related_works": [],
        "former_accession_numbers": [],
        "did_you_know": "Now a museum, the Jeu de Paume in Paris was built in 1861 as an indoor court for a precursor of tennis.",
        "early_education_description": null,
        "artlens_description": null,
        "description": "Joel Meyerowitz here juxtaposes two images of couples that echo one another: one is the painting <em>A Loge at the Italiens </em>by Eva Gonzal\u00e8s, which hangs in the museum, and the other is the view through the museum window onto a real-life couple. It is a witty pairing, contrasting the 19th and 20th century, an artist\u2019s conception with reality, and painting with photography.",
        "external_resources": {
            "wikidata": [
                "https://www.wikidata.org/wiki/Q117246959"
            ],
            "internet_archive": []
        },
        "citations": [],
        "url": "https://clevelandart.org/art/2021.201",
        "images": {},
        "alternate_images": [],
        "creditline": "Gift of Michael Mattis and Judith Hochberg",
        "image_credit": null,
        "sketchfab_id": null,
        "sketchfab_url": null,
        "gallery_donor_text": null,
        "athena_id": 447503,
        "creators": [
            {
                "id": 659,
                "description": "Joel Meyerowitz (American, b. 1938)",
                "extent": null,
                "qualifier": null,
                "role": "artist",
                "biography": "Joel Meyerowitz American, 1938- Joel Meyerowitz began taking black-and-white photographs in the streets of New York during the 1960s, working with his 35mm Leica camera alongside Garry Winogrand and Lee Friedlander. With the emergence of new technologies in the early 1970s, he successfully translated his vision to color images. In 1976 Meyerowitz further expanded his technical vocabulary by using a large-format camera to photograph in and around Cape Cod, Massachusetts. Published as Cape Light: Photographs by Joel Meyerowitz (1978), the series explores the manipulation of light and the full range of color available to the medium. He is also recognized for his photographs of St. Louis, commissioned by the city in 1977 and published four years later as St. Louis and The Arch (1981). Meyerowitz (born in New York City) studied medical drawing and painting at Ohio State University (B.F.A., 1959), then worked for four years in advertising as an art director. He had his first one-person exhibition at George Eastman House, Rochester (1966), and has since had similar shows throughout the United States, Europe, and Japan, including the Museum of Modern Art, New York (1968), and the Museum of Fine Arts, Boston (1978). His awards include fellowships from the John Simon Guggenheim Memorial Foundation (1970, 1978) and the National Endowment for the Arts (1978), and a New York Creative Artists Public Service Grant (1976). In 1981 he was voted Photographer of the Year by the Friends of Photography. Meyerowitz lives in Manhattan. A.W.",
                "name_in_original_language": null,
                "birth_year": "1938",
                "use_in_caption": true,
                "include_extent": false,
                "weight": 1
            }
        ],
        "legal_status": "accessioned",
        "accession_date": "2021-12-06T05:00:00Z",
        "sortable_date": 1967,
        "date_added_to_oa": null,
        "date_text": "1967, printed 1980",
        "collapse_artists": false,
        "on_loan": false,
        "recently_acquired": false,
        "record_type": "object",
        "conservation_statement": null,
        "has_conservation_images": false,
        "cover_accession_number": null,
        "is_nazi_era_provenance": false,
        "impression": null,
        "alternate_titles": [],
        "is_highlight": false,
        "updated_at": "2026-05-01 06:54:16.476000"
    }
}