id: 439492 accession number: 2021.57 share license status: CC0 url: https://clevelandart.org/art/2021.57 updated: 2024-03-26 02:02:16.979000 Young Alsacienne Woman, c. 1871. Adolphe Braun (French, 1812–1877). Carbon print on a ruled mount; image: 40 x 30.5 cm (15 3/4 x 12 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg 2021.57 title: Young Alsacienne Woman title in original language: series: series in original language: creation date: c. 1871 creation date earliest: 1866 creation date latest: 1876 current location: creditline: Gift of Michael Mattis and Judith Hochberg copyright: --- culture: France technique: carbon print on a ruled mount department: Photography collection: PH - French 19th Century type: Photograph find spot: catalogue raisonne: --- CREATORS * Adolphe Braun (French, 1812–1877) - artist Adolphe Braun French, 1812-1877 Adolphe Braun, a French textile designer born in Besançon and trained in Paris, opened his own studio in Dornach, Alsace, before becoming involved in photography in the early 1850s. He produced several early floral textile designs that were published as lithographs. In 1853 Braun began work on a large album of some 300 photographic still-life studies of flowers, intended as aids for artists in the field of decorative arts. The work met with such success at the 1855 Exposition Universelle in Paris that he left the field of design for photography. Braun's carefully executed still lifes are considered to be among the finest ever done. From the mid-1850s on, Braun's firm, Adolphe Braun et Cie., later headed by his son Gaston (1845–1928), became one of the world's largest studios and publishers of topographical views and of reproductions of works of art. In the latter effort, their importance was in part due to Gaston's success with the orthochromatic process, in which photographic reproductions retained a tonal range very close to that of the original work of art. Braun et Cie. were the official photographers to Napoléon III and Pope Pius IX. Their reproductions of works in the Louvre, the Sistine Chapel, and many other subjects in architecture, sculpture, painting, and drawing, sometimes using the more permanent carbon or Woodburytype processes, were offered in all sizes and formats, and became the standard in their field. The number of negatives taken by the Brauns or their operators was variously estimated in 1870 to be between 4,000 and 8,000. The Brauns were members of the Société française de photographie. Both were awarded the French Legion of Honor-Adolphe in 1860, and Gaston in 1892. T.W.F. --- measurements: Image: 40 x 30.5 cm (15 3/4 x 12 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS --- PROVENANCE Michael Mattis and Judith Hochberg, Scarsdale, NY date: ?-2021 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: June 7, 2021 footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS --- IMAGES web: https://openaccess-cdn.clevelandart.org/2021.57/2021.57_web.jpg print: https://openaccess-cdn.clevelandart.org/2021.57/2021.57_print.jpg full: https://openaccess-cdn.clevelandart.org/2021.57/2021.57_full.tif