id:			452646
accession number:	2022.33
share license status:	CC0
url:			https://clevelandart.org/art/2022.33
updated:		2024-04-20 11:00:33.559000

Lyon. Viaduc du Rhône, c. 1860. Édouard Baldus (French, 1813–1889). Albumen print from collodion negative; image: 22.8 x 42.5 cm (9 x 16 3/4 in.); paper: 22.8 x 42.5 cm (9 x 16 3/4 in.); mounted: 45.7 x 60.9 cm (18 x 24 in.). The Cleveland Museum of Art, Gift of Michael Mattis and Judith Hochberg 2022.33

title:				Lyon. Viaduc du Rhône
title in original language:	
series:				
series in original language:	
creation date:			c. 1860
creation date earliest:		1855
creation date latest:		1865
current location:		
creditline:			Gift of Michael Mattis and Judith Hochberg
copyright:			

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culture:	France, 19th century
technique:	albumen print from collodion negative
department:	Photography
collection:	PH - French 19th Century
type:		Photograph
find spot:	
catalogue raisonne: 

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CREATORS

* Édouard Baldus (French, 1813–1889)  - artist
Édouard Baldus French, b. Prussia, 1813 - 1889

The large and regal prints made by Édouard-Denis Baldus are widely agreed to be among the finest photographic images ever produced. After serving as an artillery officer in the Prussian army, Baldus left his native country for France during the 1830s to become a painter. He exhibited his paintings of religious subjects, portraits, and genre scenes in the Paris Salons from 1841 - 51 and was naturalized as a French citizen in 1849, the same year his interests turned to photography.
	Combining his training in painting with an inquisitive, inventive technical expertise, Baldus produced a body of work of exceptional quality and interest. His subjects included architecture, landscape, and engineering feats. In 1851 the Commission des monuments historiques selected him for the Missions héliographique—a government project that sponsored the photographing of endangered classical and medieval architecture in France. For this important series Baldus produced views of Burgundy, Provence, and the Dauphiné, and the following year he completed a commission for the Ministry of the Interior. In 1855 he began his photography of railroads, some of his most distinctive work. A copy of his album recording the line between Paris and Boulogne was presented to Queen Victoria. He also documented the flooding of the Rhone, as well as construction of the new Louvre and other Paris views.
	A founding member of the Société héliographique and a member of the Société française de photographie (1857), Baldus exhibited his photographs widely in London, Amsterdam, Edinburgh, Brussels, and Paris and won numerous medals of award. A master printer, he produced combination prints in the early 1850s, frequently retouching his images with pencil and ink. His best work appears most often in specially assembled albums -- such as Les principaux Monuments de la France reproduits en héliogravure par E. Baldus, published in 1875 from plates drawn from earlier negatives. Today, his work continues to be much sought after and to set a standard by which other photographers are judged. T.W.F.
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measurements: Image: 22.8 x 42.5 cm (9 x 16 3/4 in.); Paper: 22.8 x 42.5 cm (9 x 16 3/4 in.); Mounted: 45.7 x 60.9 cm (18 x 24 in.)
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support materials:


inscriptions:

	inscription:	Imprinted in black ink on recto of mount: “LYON. VIADUC DU RHÔNE”
	translation:	
	remark:		

	inscription:	Written in black ink on recto of mount: “E. Baldus”
	translation:	
	remark:		

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

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PROVENANCE

	Harry Lunn, Washington, D.C., sold to Michael Mattis and Judith Hochberg, Scarsdale, NY
	date: 
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	Michael Mattis & Judith Hochberg, Scarsdale, NY, given to The Cleveland Museum of Art
	date: ?-2022
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	The Cleveland Museum of Art, Cleveland, OH
	date: March 7, 2022-
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RELATED WORKS

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CITATIONS

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IMAGES

web:	https://openaccess-cdn.clevelandart.org/2022.33/2022.33_web.jpg
print:	https://openaccess-cdn.clevelandart.org/2022.33/2022.33_print.jpg
full:	https://openaccess-cdn.clevelandart.org/2022.33/2022.33_full.tif