id:			522611
accession number:	2022.347
share license status:	CC0
url:			https://clevelandart.org/art/2022.347
updated:		2024-08-08 15:19:10.693000

Untitled (flower arrangement), Early 1850s. Adolphe Braun (French, 1812–1877). Albumen print or carbon print; paper: 30.5 x 24.1 cm (12 x 9 1/2 in.). The Cleveland Museum of Art, Gift of Nina Rosenblum and Lisa Rosenblum 2022.347

title:				Untitled (flower arrangement)
title in original language:	
series:				
series in original language:	
creation date:			Early 1850s
creation date earliest:		1850
creation date latest:		1855
current location:		
creditline:			Gift of Nina Rosenblum and Lisa Rosenblum
copyright:			

---

culture:	France, 19th century
technique:	albumen print or carbon print
department:	Photography
collection:	PH - French 19th Century
type:		Photograph
find spot:	
catalogue raisonne: 

---

CREATORS

* Adolphe Braun (French, 1812–1877)  - artist
Adolphe Braun French, 1812-1877

Adolphe Braun, a French textile designer born in Besançon and trained in Paris, opened his own studio in Dornach, Alsace, before becoming involved in photography in the early 1850s. He produced several early floral textile designs that were published as lithographs. In 1853 Braun began work on a large album of some 300 photographic still-life studies of flowers, intended as aids for artists in the field of decorative arts. The work met with such success at the 1855 Exposition Universelle in Paris that he left the field of design for photography. Braun's carefully executed still lifes are considered to be among the finest ever done.
	From the mid-1850s on, Braun's firm, Adolphe Braun et Cie., later headed by his son Gaston (1845–1928), became one of the world's largest studios and publishers of topographical views and of reproductions of works of art. In the latter effort, their importance was in part due to Gaston's success with the orthochromatic process, in which photographic reproductions retained a tonal range very close to that of the original work of art. Braun et Cie. were the official photographers to Napoléon III and Pope Pius IX. Their reproductions of works in the Louvre, the Sistine Chapel, and many other subjects in architecture, sculpture, painting, and drawing, sometimes using the more permanent carbon or Woodburytype processes, were offered in all sizes and formats, and became the standard in their field. The number of negatives taken by the Brauns or their operators was variously estimated in 1870 to be between 4,000 and 8,000. The Brauns were members of the Société française de photographie. Both were awarded the French Legion of Honor-Adolphe in 1860, and Gaston in 1892. T.W.F.
---

measurements: Paper: 30.5 x 24.1 cm (12 x 9 1/2 in.)
state of the work:	
edition of the work: 	

support materials:


inscriptions:

---

CURRENT EXHIBITIONS

---

LEGACY EXHIBITIONS

---

PROVENANCE

	Naomi Rosenblum [1925-2021], New York, NY
	date: 
	footnotes: 	
	citations: 	


	Estate of Naomi Rosenblum, Long Island City, NY, given to The Cleveland Museum of Art, Cleveland, OH
	date: 2021–22
	footnotes: 	
	citations: 	


	The Cleveland Museum of Art, Cleveland, OH
	date: December 5, 2022-
	footnotes: 	
	citations: 	


---

fun fact:


digital description:


wall description:

---

RELATED WORKS

---

CITATIONS

---

IMAGES