id:			85881
accession number:	2022.64
share license status:	Copyrighted
url:			https://clevelandart.org/art/2022.64
updated:		2024-03-26 01:55:55.012000

Book: The Coliseum by Piranesi #2, 1995, printed c. 1999. Abelardo Morell (American, 1948-). Gelatin silver print ; image: 56.8 x 45.7 cm (22 3/8 x 18 in.); paper: 60.6 x 50.7 cm (23 7/8 x 19 15/16 in.). The Cleveland Museum of Art, Gift of Tom E. Hinson and Diana S. Tittle 2022.64

title:				Book: The Coliseum by Piranesi #2
title in original language:	
series:				
series in original language:	
creation date:			1995, printed c. 1999
creation date earliest:		1995
creation date latest:		1995
current location:		
creditline:			Gift of Tom E. Hinson and Diana S. Tittle
copyright:			

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culture:	America, 20th century
technique:	Gelatin silver print 
department:	Photography
collection:	Photography
type:		Photograph
find spot:	
catalogue raisonne: 

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CREATORS

* Abelardo Morell (American, 1948-)  - artist
Abelardo Morell American, b. Cuba, 1948- Havana-born Abe Morell became interested in photography while a student of John McKee at Bowdoin College in Maine (B.A., 1977). Fascinated by the surreal, he initially produced manipulated prints of outlandish scenarios. The work of Robert Frank, Diane Arbus, and Henri Cartier-Bresson, however, showed Morell "that straight photography could pack more surrealism into a picture" than he could achieve through manipulation. Adopting a 35mm straight technique, in 1978 he traveled to Miami and New York to work as a street photographer in the vein of Garry Winogrand and Lee Friedlander, continuing in this format at Yale University (M.F.A., 1981). In the late 1980s, Morell began two series for which he is best known: large-scale black-and-white photographs of interior spaces made with a self-built camera obscura, and still lifes of pictures of the pictures in books. The images provide clever post-modern commentary on the nature of photographic representation by referencing the medium's beginnings while simultaneously celebrating the ephemeral magic of light and shadow. Devoid of human subjects, these psychologically complex interior landscapes allude to the changing spheres of childhood and family, and our understanding of history itself, in contemporary middle-class society. Morell has received fellowships from the Cintas Foundation (1992-93) and the John Simon Guggenheim Memorial Foundation (1993-94). He currently chairs the photography department at Massachusetts College of Art and lives in Quincy. A.W.
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measurements: Image: 56.8 x 45.7 cm (22 3/8 x 18 in.); Paper: 60.6 x 50.7 cm (23 7/8 x 19 15/16 in.)
state of the work:	
edition of the work: 	Edition 10/30

support materials:


inscriptions:

	inscription:	Written in pencil on verso: “Abelardo Morrell (signed) Book: The Coliseum by Piranesi #2, 1995”
	translation:	
	remark:		

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CURRENT EXHIBITIONS

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LEGACY EXHIBITIONS

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PROVENANCE

	(Bonni Benrubi Gallery, Inc., New York, NY), sold to Tom Hinson, Truth or Consequences, NM
	date: 1999
	footnotes: 	
	citations: 	


	Tom Hinson, Truth or Consequences, NM, given to The Cleveland Museum of Art, Cleveland, OH
	date: 1999-2022
	footnotes: 	
	citations: 	


	The Cleveland Museum of Art, Cleveland, OH
	date: June 6, 2022-
	footnotes: 	
	citations: 	


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