id: 540588 accession number: 2023.47 share license status: CC0 url: https://clevelandart.org/art/2023.47 updated: 2024-05-17 11:33:46.449000 Two Veiled Young Women, probably Lilla Amnani and her sister, 1786. Richard Cosway (British, 1742–1821). Graphite, watercolor, red chalk on paper; sheet: 23.5 cm (9 1/4 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund 2023.47 title: Two Veiled Young Women, probably Lilla Amnani and her sister title in original language: series: series in original language: creation date: 1786 creation date earliest: 1786 creation date latest: 1786 current location: creditline: Severance and Greta Millikin Purchase Fund copyright: --- culture: England technique: graphite, watercolor, red chalk on paper department: Drawings collection: DR - British type: Drawing find spot: catalogue raisonne: --- CREATORS * Richard Cosway (British, 1742–1821) - artist Richard Cosway was Arguably the most fashionable miniature painter in London during the art form’s golden age in
late-eighteenth-century Britain. Also an accomplished painter in oils, Cosway was equally well known for his flamboyant character and the stunning art collection that secured his reputation as an arbiter of taste and model of connoisseurship. His elegant portraits in miniature were coveted by sitters who sought glamour even if it was at the expense of truthfulness. Cosway and his wife, Maria (neé Hadfield), maintained an elite circle of friends who helped define what
was au courant for the age and who consisted primarily of cultural luminaries and young members of high society revolving around George Augustus Frederick, the prince of Wales himself. His steady patronage from 1780 until 1808 fixed Cosway’s popularity within fashionable society. From 1785 Cosway’s miniatures were signed on the back: “Primarius Pictor Serenissimi Walliae Principis” (Principal Painter to His Royal Highness the Prince of Wales), a pompous Latin designation that garnered the artist both fame and ridicule. Cosway was a successful artist-celebrity in his own time, and, in spite of being criticized periodically for being too superficially pretty, his miniatures have always been among the most desired by collectors. The Cleveland Museum of Art owns five miniatures by Cosway, painted between 1785 and 1805, that are representative of the artist’s stylistic range during the height of his career. --- measurements: Sheet: 23.5 cm (9 1/4 in.) state of the work: edition of the work: support materials: inscriptions: --- CURRENT EXHIBITIONS --- LEGACY EXHIBITIONS --- PROVENANCE Richard Cosway (the artist) [1742–1821] date: footnotes: citations: Maria Hadfield Cosway (1760-1838), Lodi date: footnotes: citations: Gifted by the above as part of a large collection to the College Collegio delle Dame Inglesi, Lodi date: footnotes: citations: Sisters of Charity of Maria Santissima Bambina, Lodi date: 1948 footnotes: citations: Acquired from the above by Commander Gerald F. Barnett (1926-2011), Hampshire date: footnotes: citations: Anthony Landsberg, London, England date: 2015 footnotes: citations: David S. Lavender Antiques (sold as Abraham Pascalrid and his two wives) date: footnotes: citations: Private collection, UK, until 2019 date: 2015–19 footnotes: citations: (Philip Mould & Company, London, England), sold to The Cleveland Museum of Art, Cleveland, OH date: ?–2023 footnotes: citations: The Cleveland Museum of Art, Cleveland, OH date: June 5, 2023– footnotes: citations: --- fun fact: digital description: wall description: --- RELATED WORKS --- CITATIONS Ferrari, Emma, “I Disegni di Riccardo Cosway nella Biblioteca di Lodi,” Rassegna d’Arte XIII (1913) page number: 144-147, p. 145 url: --- IMAGES web: https://openaccess-cdn.clevelandart.org/2023.47/2023.47_web.jpg print: https://openaccess-cdn.clevelandart.org/2023.47/2023.47_print.jpg full: https://openaccess-cdn.clevelandart.org/2023.47/2023.47_full.tif