The Cleveland Museum of Art Open Access API

{
 "info": {
  "total": 22,
  "parameters": {
   "q": "song xu",
   "skip": "2",
   "limit": "1",
   "indent": "1",
   "search": "song xu"
  }
 },
 "data": [
  {
   "id": 160729,
   "accession_number": "1998.78.14",
   "share_license_status": "CC0",
   "tombstone": "Eighteen Views of Huzhou: Baoyang Lake, 1500s. Song Xu (Chinese, 1525-c. 1606). Album; ink and color on silk; sheet: 26.4 x 28.4 cm (10 3/8 x 11 3/16 in.). The Cleveland Museum of Art, The Severance and Greta Millikin Purchase Fund 1998.78.14",
   "current_location": null,
   "title": "Baoyang Lake",
   "title_in_original_language": "\u5305\u967d\u6e56",
   "series": "Eighteen Views of Huzhou",
   "series_in_original_language": "\u6e56\u5dde\u5341\u516b\u666f\u5716",
   "creation_date": "1500s",
   "creation_date_earliest": 1525,
   "creation_date_latest": 1599,
   "creators": [
    {
     "description": "Song Xu (Chinese, 1525-c. 1606)",
     "extent": null,
     "qualifier": null,
     "role": "artist",
     "biography": "Song Xu (\u5b8b\u65ed, 1525-c. 1606), was a versatile Chinese painter active in northern Zhejiang and Jiangsu provinces. He was skilled in landscapes, boundary paintings (\u754c\u756b, paintings of architecture), figure painting, and Buddhist painting. Although born a commoner, he also cultivated the literati arts of poetry and calligraphy. He studied Chan Buddhism and eventually became a Buddhist priest himself.",
     "name_in_original_language": "\u5b8b\u65ed",
     "birth_year": "1525",
     "death_year": "1606"
    }
   ],
   "culture": [
    "China, Jiaxing, 16th century"
   ],
   "technique": "album; ink and color on silk",
   "support_materials": [],
   "department": "Chinese Art",
   "collection": "ASIAN - Album leaf",
   "type": "Painting",
   "measurements": "Sheet: 26.4 x 28.4 cm (10 3/8 x 11 3/16 in.)",
   "dimensions": {
    "sheet": {
     "height": 0.264,
     "width": 0.284
    }
   },
   "state_of_the_work": null,
   "edition_of_the_work": null,
   "creditline": "The Severance and Greta Millikin Purchase Fund",
   "copyright": null,
   "inscriptions": [],
   "exhibitions": {
    "current": [],
    "legacy": [
     "Main Asian Rotation (Gallery 122); March 4, 2003 - July 23, 2003."
    ]
   },
   "provenance": [],
   "find_spot": null,
   "related_works": [],
   "description": "This album of landscape paintings depicts the famous scenic areas located in and around the city of Wuxing in southeastern China. The artist, Song Xu, was not a native of that city, but must have visited it when he accepted the commission, for he carefully depicted all eighteen views and wrote comments on each of them. These places were all known for their natural beauty, but in addition, a number were distingusihed by their links to eminent historical figures and events. Unlike other artists of his time, Song Xu favored a painting style that was technically polished and focused attention on specific, realistic details. Such an approach was well suited to projects like this one, for which the artist was in great demand.",
   "did_you_know": null,
   "citations": [
    {
     "citation": "Cleveland Museum of Art, Ju-hsi Chou, and Anita Chung. Silent poetry: Chinese paintings from the collection of the Cleveland Museum of Art. 2015.",
     "page_number": "287-295",
     "url": null
    }
   ],
   "catalogue_raisonne": null,
   "url": "https://clevelandart.org/art/1998.78.14",
   "images": {
    "web": {
     "url": "https://openaccess-cdn.clevelandart.org/1998.78.14/1998.78.14_web.jpg",
     "filename": "1998.78.14_web.jpg",
     "filesize": "718224",
     "width": "956",
     "height": "893"
    },
    "print": {
     "url": "https://openaccess-cdn.clevelandart.org/1998.78.14/1998.78.14_print.jpg",
     "filename": "1998.78.14_print.jpg",
     "filesize": "10933890",
     "width": "3400",
     "height": "3177"
    },
    "full": {
     "url": "https://openaccess-cdn.clevelandart.org/1998.78.14/1998.78.14_full.tif",
     "filename": "1998.78.14_full.tif",
     "filesize": "77605796",
     "width": "5260",
     "height": "4916"
    }
   },
   "updated_at": "2019-01-22 14:39:18.064000"
  }
 ]
}

{
 "data": {
  "id": 130707,
  "accession_number": "1953.424",
  "share_license_status": "CC0",
  "tombstone": "Head of Saint John the Baptist, c. 1550-1650. Spain or Northern Italy, mid 16th - mid 17th century. Oil on canvas; framed: 80.6 x 104.8 x 7.6 cm (31 3/4 x 41 1/4 x 3 in.); unframed: 50 x 75.2 cm (19 11/16 x 29 5/8 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund 1953.424",
  "current_location": "118 Italian Renaissance",
  "title": "Head of Saint John the Baptist",
  "title_in_original_language": null,
  "series": null,
  "series_in_original_language": null,
  "creation_date": "c. 1550-1650",
  "creation_date_earliest": 1550,
  "creation_date_latest": 1650,
  "creators": [],
  "culture": [
   "Spain or Northern Italy, mid 16th - mid 17th century"
  ],
  "technique": "oil on canvas",
  "support_materials": [],
  "department": "European Painting and Sculpture",
  "collection": "P - Italian 16th & 17th Century",
  "type": "Painting",
  "measurements": "Framed: 80.6 x 104.8 x 7.6 cm (31 3/4 x 41 1/4 x 3 in.); Unframed: 50 x 75.2 cm (19 11/16 x 29 5/8 in.)",
  "dimensions": {
   "framed": {
    "height": 0.806,
    "width": 1.048,
    "depth": 0.076
   },
   "unframed": {
    "height": 0.5,
    "width": 0.752
   }
  },
  "state_of_the_work": null,
  "edition_of_the_work": null,
  "creditline": "Mr. and Mrs. William H. Marlatt Fund",
  "copyright": null,
  "inscriptions": [
   {
    "inscription": "Inscription of ribbon entwining the reed cross: ECCE AGNUS DEI",
    "inscription_translation": null,
    "inscription_remark": null
   }
  ],
  "exhibitions": {
   "current": [
    {
     "title": "The Venetian Tradition",
     "description": "The Venetian Tradition. The Cleveland Museum of Art (November 8, 1956-January 1, 1957).",
     "opening_date": "1956-11-08T05:00:00"
    }
   ],
   "legacy": [
    "Vienna, Sezesion (second exhibition by the Verein der Museumfreunde), 1924: \"Meisterwerker Italienischer Renaissance Kunst aus Privtbesitz,\" cat. no. 112. 
Venice, Palazo P\u00e9saro, 1935: \"Mostra di Tiziano,\" cat. no. 63 (catalogue by Gino Fogliari). 
CMA, 1956: \"The Venetian Tradition,\" cat. no. 22, pl. IX. (Catalogue by Henry S Francis)."
   ]
  },
  "provenance": [
   {
    "description": "[Alessandro Brass, Venice], sold to the Cleveland Museum of Art, 1953.",
    "citations": [],
    "footnotes": null,
    "date": null
   }
  ],
  "find_spot": null,
  "related_works": [],
  "description": "Salome\u2019s dancing so pleased her stepfather Herod that he offered her anything she wanted. Her mother advised Salome to demand John the Baptist\u2019s head, which Salome presented to her family in an elaborate dish. Here, the head stands on its own, with a startlingly tangible presence. Despite its biblical source, this work was meant for a domestic setting, whose owner would have admired the artful presentation of a shocking story. Acquired in 1953 as the work of the Venetian Renaissance artist Titian, the painting soon lost this attribution because it lacks Titian\u2019s distinctive brushwork. After decades of research, the museum has yet to identify a clear author. Recently, several scholars have argued persuasively for a Spanish artist, partly because the subject is common in Spanish art in the early 1600s. Yet the color scheme and the handling of paint in the face recalls the work of earlier artists inspired by Titian in northern Italy.",
  "did_you_know": null,
  "citations": [
   {
    "citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1966. Cleveland, OH: The Cleveland Museum of Art, 1966.",
    "page_number": "Reproduced: p. 97",
    "url": "https://archive.org/details/CMAHandbook1966#page=121"
   },
   {
    "citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1969. Cleveland, OH: The Cleveland Museum of Art, 1969.",
    "page_number": "Reproduced: p. 97",
    "url": "https://archive.org/details/CMAHandbook1969#page=121"
   },
   {
    "citation": "The Cleveland Museum of Art. Handbook of the Cleveland Museum of Art/1978. Cleveland, OH: The Cleveland Museum of Art, 1978.",
    "page_number": "Reproduced: p. 111",
    "url": "https://archive.org/details/CMAHandbook1978#page=131"
   },
   {
    "citation": "The Cleveland Museum of Art. The Cleveland Museum of Art Catalogue of Paintings, Part 3: European Paintings of the 16th, 17th, and 18th Centuries. Cleveland, OH: The Cleveland Museum of Art, 1982.",
    "page_number": "Mentioned and Reproduced: p. 442",
    "url": null
   }
  ],
  "catalogue_raisonne": null,
  "url": "https://clevelandart.org/art/1953.424",
  "images": {
   "web": {
    "url": "https://openaccess-cdn.clevelandart.org/1953.424/1953.424_web.jpg",
    "filename": "1953.424_web.jpg",
    "filesize": "724828",
    "width": "1263",
    "height": "830"
   },
   "print": {
    "url": "https://openaccess-cdn.clevelandart.org/1953.424/1953.424_print.jpg",
    "filename": "1953.424_print.jpg",
    "filesize": "5897752",
    "width": "3400",
    "height": "2235"
   },
   "full": {
    "url": "https://openaccess-cdn.clevelandart.org/1953.424/1953.424_full.tif",
    "filename": "1953.424_full.tif",
    "filesize": "72441096",
    "width": "6060",
    "height": "3983"
   }
  },
  "updated_at": "2019-01-22 14:37:34.138000"
 }
}

{
 "info": {
  "total": 21,
  "parameters": {
   "name": "smith",
   "birth_year_after": "1900",
   "limit": "1",
   "indent": "1"
  }
 },
 "data": [
  {
   "created_at": "2020-11-04 19:01:09.608000",
   "updated_at": "2020-11-04 22:36:25.316000",
   "name": "William E. Smith",
   "nationality": "American",
   "description": "William E. Smith (American, 1913-1997)",
   "biography": "A highly skilled printmaker, William Elijah Smith specialized in genre scenes of working-class African-American life in Cleveland. Born in Chattanooga, Smith moved to Cleveland at the age of 13 and became involved with Karamu House, learning print making and stage design. He studied art at the Huntington Polytechnic Institute, 1933\u201334. During this time he began teaching at Karamu House and continued to do so until 1940. In 1941 he won the art competition for presenting one of his prints to the Library of Congress for its permanent collection. Smith exhibited at the Connecticut Academy of Fine Arts in Hartford (1935), in the annual May Shows at the Cleveland Museum of Art (1936\u2013 49), at the Associated American Artists Galleries of New York (1942), and at Atlanta University (1942). During World War II, he served as a photographer in the army\u2019s educational department. After the war, he returned to Cleveland and established a commercial silkscreening studio. In 1946 the Lyman Brothers\u2019 Gallery in Indianapolis mounted his first solo exhibition. From 1946 to 1948 he studied painting and printmaking at the Cleveland School of Art and the Cooper School of Art. In the late 1940s Smith moved to Los Angeles, where he associated with Curtis Tann, a former colleague from Karamu House. With Tann, Smith cofounded the Eleven Associated Artists Gallery, the first Los Angeles gallery devoted specifically to African art. In 1952 Smith was hired to work as a blueprint draftsman at Lockheed Aircraft, beginning a long association with the corporation. In 1960 he cofounded Art West Associated, an African-American artists\u2019 advocacy organization in Los Angeles. In 1970 he published illustrations of subjects from African-American history for Cleveland\u2019s New Day Press. Smith\u2019 s works were displayed ins numerous group exhibitions in the Los Angeles area (1960s\u201380s).
Transformations in Cleveland Art. (CMA, 1996), p. 238",
   "birth_year": "1913",
   "death_year": "1997",
   "id": 7978,
   "artworks": [
    {
     "id": 117264,
     "accession_number": "1937.83",
     "title": "Mother and Baby",
     "tombstone": "Mother and Baby, c. 1936. William E. Smith (American, 1913-1997). Linoleum cut; The Cleveland Museum of Art, Gift of The Print Club of Cleveland 1937.83",
     "url": "https://clevelandart.org/art/1937.83"
    },
    {
     "id": 119964,
     "accession_number": "1940.76",
     "title": "Sharecropper",
     "tombstone": "Sharecropper, 1940. William E. Smith (American, 1913-1997). Linoleum cut; The Cleveland Museum of Art, Gift of The Print Club of Cleveland 1940.76",
     "url": "https://clevelandart.org/art/1940.76"
    },
    {
     "id": 120267,
     "accession_number": "1941.122",
     "title": "My Son!  My Son!",
     "tombstone": "My Son!  My Son!, 1941. William E. Smith (American, 1913-1997). Linoleum cut; The Cleveland Museum of Art, Gift of The Print Club of Cleveland 1941.122",
     "url": "https://clevelandart.org/art/1941.122"
    },
    {
     "id": 122977,
     "accession_number": "1943.244",
     "title": "Siesta",
     "tombstone": "Siesta, 1943. William E. Smith (American, 1913-1997). Linoleum cut; platemark: 22.8 x 20.4 cm (9 x 8 1/16 in.); sheet: 27.7 x 21.7 cm (10 7/8 x 8 9/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland 1943.244",
     "url": "https://clevelandart.org/art/1943.244"
    }
   ]
  }
 ]
}

{
 "data": {
  "name": "William E. Smith",
  "nationality": "American",
  "description": "William E. Smith (American, 1913\u20131997)",
  "biography": "A highly skilled printmaker, William Elijah Smith specialized in genre scenes of working-class African-American life in Cleveland. Born in Chattanooga, Smith moved to Cleveland at the age of 13 and became involved with Karamu House, learning print making and stage design. He studied art at the Huntington Polytechnic Institute, 1933\u201334. During this time he began teaching at Karamu House and continued to do so until 1940. In 1941 he won the art competition for presenting one of his prints to the Library of Congress for its permanent collection. Smith exhibited at the Connecticut Academy of Fine Arts in Hartford (1935), in the annual May Shows at the Cleveland Museum of Art (1936\u2013 49), at the Associated American Artists Galleries of New York (1942), and at Atlanta University (1942). During World War II, he served as a photographer in the army\u2019s educational department. After the war, he returned to Cleveland and established a commercial silkscreening studio. In 1946 the Lyman Brothers\u2019 Gallery in Indianapolis mounted his first solo exhibition. From 1946 to 1948 he studied painting and printmaking at the Cleveland School of Art and the Cooper School of Art. In the late 1940s Smith moved to Los Angeles, where he associated with Curtis Tann, a former colleague from Karamu House. With Tann, Smith cofounded the Eleven Associated Artists Gallery, the first Los Angeles gallery devoted specifically to African art. In 1952 Smith was hired to work as a blueprint draftsman at Lockheed Aircraft, beginning a long association with the corporation. In 1960 he cofounded Art West Associated, an African-American artists\u2019 advocacy organization in Los Angeles. In 1970 he published illustrations of subjects from African-American history for Cleveland\u2019s New Day Press. Smith\u2019 s works were displayed ins numerous group exhibitions in the Los Angeles area (1960s\u201380s).
Transformations in Cleveland Art. (CMA, 1996), p. 238",
  "birth_year": "1913",
  "death_year": "1997",
  "id": 7978,
  "artworks": [
   {
    "id": 117264,
    "accession_number": "1937.83",
    "title": "Mother and Baby",
    "tombstone": "Mother and Baby, c. 1936. William E. Smith (American, 1913\u20131997). Linoleum cut; The Cleveland Museum of Art, Gift of The Print Club of Cleveland 1937.83",
    "url": "https://clevelandart.org/art/1937.83"
   },
   {
    "id": 119964,
    "accession_number": "1940.76",
    "title": "Sharecropper",
    "tombstone": "Sharecropper, 1940. William E. Smith (American, 1913\u20131997). Linoleum cut; The Cleveland Museum of Art, Gift of The Print Club of Cleveland 1940.76",
    "url": "https://clevelandart.org/art/1940.76"
   },
   {
    "id": 120267,
    "accession_number": "1941.122",
    "title": "My Son!  My Son!",
    "tombstone": "My Son!  My Son!, 1941. William E. Smith (American, 1913\u20131997). Linoleum cut; The Cleveland Museum of Art, Gift of The Print Club of Cleveland 1941.122",
    "url": "https://clevelandart.org/art/1941.122"
   },
   {
    "id": 122977,
    "accession_number": "1943.244",
    "title": "Siesta",
    "tombstone": "Siesta, 1940. William E. Smith (American, 1913\u20131997). Linoleum cut; platemark: 22.8 x 20.4 cm (9 x 8 1/16 in.); sheet: 27.7 x 21.7 cm (10 7/8 x 8 9/16 in.). The Cleveland Museum of Art, Gift of The Print Club of Cleveland 1943.244",
    "url": "https://clevelandart.org/art/1943.244"
   },
   {
    "id": 454849,
    "accession_number": "2022.56",
    "title": "Little Joy",
    "tombstone": "Little Joy, 1940. William E. Smith (American, 1913\u20131997). Linocut; platemark: 22.7 x 17.5 cm (8 15/16 x 6 7/8 in.); sheet: 28.6 x 23.4 cm (11 1/4 x 9 3/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Trust 2022.56",
    "url": "https://clevelandart.org/art/2022.56"
   },
   {
    "id": 454850,
    "accession_number": "2022.53",
    "title": "Leaning Chimneys",
    "tombstone": "Leaning Chimneys, 1938. William E. Smith (American, 1913\u20131997). Linocut; platemark: 24.4 x 29.5 cm (9 5/8 x 11 5/8 in.); sheet: 30.4 x 40.6 cm (11 15/16 x 16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Trust 2022.53",
    "url": "https://clevelandart.org/art/2022.53"
   },
   {
    "id": 454851,
    "accession_number": "2022.55",
    "title": "I've Known Rivers",
    "tombstone": "I've Known Rivers, 1941. William E. Smith (American, 1913\u20131997). Linocut; platemark: 21.7 x 21.7 cm (8 9/16 x 8 9/16 in.); sheet: 40.7 x 30.4 cm (16 x 11 15/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Trust 2022.55",
    "url": "https://clevelandart.org/art/2022.55"
   },
   {
    "id": 454852,
    "accession_number": "2022.57",
    "title": "Politics",
    "tombstone": "Politics, 1940. William E. Smith (American, 1913\u20131997). Linocut; platemark: 23.1 x 17.3 cm (9 1/8 x 6 13/16 in.); sheet: 29.5 x 24.1 cm (11 5/8 x 9 1/2 in.). The Cleveland Museum of Art, Severance and Greta Millikin Trust 2022.57",
    "url": "https://clevelandart.org/art/2022.57"
   },
   {
    "id": 534895,
    "accession_number": "2022.251",
    "title": "Pay Day",
    "tombstone": "Pay Day, 1938. William E. Smith (American, 1913\u20131997). Linocut; image: 20.3 x 15.1 cm (8 x 5 15/16 in.); sheet: 26.9 x 21.9 cm (10 9/16 x 8 5/8 in.). The Cleveland Museum of Art, The Jane B. Tripp Charitable Lead Annuity Trust 2022.251",
    "url": "https://clevelandart.org/art/2022.251"
   }
  ]
 }
}

{
 "info": {
  "total": 4,
  "parameters": {
   "title": "picasso",
   "venue": "cleveland",
   "opened_after": "2000-01-01",
   "limit": "1",
   "indent": "1"
  }
 },
 "data": [
  {
   "created_at": "2020-11-04 19:00:40.600000",
   "updated_at": "2020-11-04 22:30:57.320000",
   "title": "Barcelona & Modernity: Picasso, Gaud\u00ed, Mir\u00f3, Dal\u00ed (1868-1939)",
   "description": null,
   "organizer": "The Cleveland Museum of Art",
   "opening_date": "2006-10-15 00:00:00",
   "closing_date": "2007-06-03 00:00:00",
   "venues": [
    {
     "venue_id": 174789,
     "name": "The Metropolitan Museum of Art",
     "start_date": "2007-03-04 00:00:00",
     "end_date": "2007-06-03 00:00:00"
    },
    {
     "venue_id": 4712,
     "name": "The Cleveland Museum of Art",
     "start_date": "2006-10-15 00:00:00",
     "end_date": "2007-01-07 00:00:00"
    }
   ],
   "id": 206339,
   "artworks": [
    {
     "id": 124245,
     "accession_number": "1945.24",
     "title": "La Vie",
     "tombstone": "La Vie, 1903. Pablo Picasso (Spanish, 1881-1973). Oil on canvas; framed: 239 x 170 x 10 cm (94 1/8 x 66 15/16 x 3 15/16 in.); unframed: 196.5 x 129.2 cm (77 3/8 x 50 7/8 in.). The Cleveland Museum of Art, Gift of the Hanna Fund 1945.24 \u00a9 Estate of Pablo Picasso / Artists Rights Society (ARS), New York",
     "url": "https://clevelandart.org/art/1945.24"
    },
    {
     "id": 127208,
     "accession_number": "1949.527",
     "title": "Mother and Child",
     "tombstone": "Mother and Child, 1921. Pablo Picasso (Spanish, 1881-1973). Pencil on paper; sheet: 24.8 x 32.1 cm (9 3/4 x 12 5/8 in.). The Cleveland Museum of Art, Mr. and Mrs. Lewis B. Williams Collection 1949.527 \u00a9 Estate of  Pablo Picasso / Artists Rights Society (ARS), New York",
     "url": "https://clevelandart.org/art/1949.527"
    },
    {
     "id": 132416,
     "accession_number": "1954.865",
     "title": "Reclining Nude (Fernande)",
     "tombstone": "Reclining Nude (Fernande), 1906. Pablo Picasso (Spanish, 1881-1973). Watercolor and gouache, with graphite and possibly charcoal; sheet: 47.3 x 61.3 cm (18 5/8 x 24 1/8 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. Michael Straight 1954.865 \u00a9 Estate of  Pablo Picasso / Artists Rights Society (ARS), New York",
     "url": "https://clevelandart.org/art/1954.865"
    },
    {
     "id": 135434,
     "accession_number": "1958.43",
     "title": "Head of a Boy",
     "tombstone": "Head of a Boy, 1905-6. Pablo Picasso (Spanish, 1881-1973). Opaque matte paint, possibly tempera; sheet: 24.6 x 18.6 cm (9 11/16 x 7 5/16 in.). The Cleveland Museum of Art, Bequest of Leonard C. Hanna, Jr. 1958.43 \u00a9 Estate of  Pablo Picasso / Artists Rights Society (ARS), New York\r\n",
     "url": "https://clevelandart.org/art/1958.43"
    },
    {
     "id": 135456,
     "accession_number": "1958.45",
     "title": "The Harem ",
     "tombstone": "The Harem , 1906. Pablo Picasso (Spanish, 1881-1973). Oil on canvas; framed: 174 x 130.5 x 11.4 cm (68 1/2 x 51 3/8 x 4 1/2 in.); unframed: 154.3 x 110 cm (60 3/4 x 43 5/16 in.); former: 163.2 x 120 x 6.1 cm (64 1/4 x 47 1/4 x 2 3/8 in.). The Cleveland Museum of Art, Bequest of Leonard C. Hanna, Jr. 1958.45 \u00a9 Estate of  Pablo Picasso / Artists Rights Society (ARS), New York",
     "url": "https://clevelandart.org/art/1958.45"
    },
    {
     "id": 142653,
     "accession_number": "1966.377",
     "title": "The Artist's Sister Lola ",
     "tombstone": "The Artist's Sister Lola , 1899-1900. Pablo Picasso (Spanish, 1881-1973). Oil on canvas; framed: 62.5 x 54 x 8 cm (24 5/8 x 21 1/4 x 3 1/8 in.); unframed: 46.7 x 37.5 cm (18 3/8 x 14 3/4 in.). The Cleveland Museum of Art, Gift of Mr. and Mrs. David S. Ingalls 1966.377 \u00a9 Estate of  Pablo Picasso / Artists Rights Society (ARS), New York",
     "url": "https://clevelandart.org/art/1966.377"
    },
    {
     "id": 147390,
     "accession_number": "1973.137.4",
     "title": "Dream and Lie of Franco:  (January 9, 1937)",
     "tombstone": "Dream and Lie of Franco:  (January 9, 1937), 1937. Pablo Picasso (Spanish, 1881-1973). Etching and aquatint; The Cleveland Museum of Art, Gift of The Print Club of Cleveland 1973.137.4 \u00a9 2006 Estate of Pablo Picasso/Artists Rights Society (ARS), New York",
     "url": "https://clevelandart.org/art/1973.137.4"
    },
    {
     "id": 147391,
     "accession_number": "1973.137.5",
     "title": "Dream and Lie of Franco:  (January 8, 1937)",
     "tombstone": "Dream and Lie of Franco:  (January 8, 1937), 1937. Pablo Picasso (Spanish, 1881-1973). Etching and aquatint; The Cleveland Museum of Art, Gift of The Print Club of Cleveland 1973.137.5 \u00a9 2006 Estate of Pablo Picasso/Artists Rights Society (ARS), New York (Cleveland only).",
     "url": "https://clevelandart.org/art/1973.137.5"
    },
    {
     "id": 149408,
     "accession_number": "1978.61",
     "title": "Nocturne",
     "tombstone": "Nocturne, 1935. Joan Mir\u00f3 (Spanish, 1893-1983). Oil on copper; framed: 62.2 x 48.8 x 5.1 cm (24 1/2 x 19 3/16 x 2 in.); unframed: 42 x 29.2 cm (16 9/16 x 11 1/2 in.). The Cleveland Museum of Art, Mr. and Mrs. William H. Marlatt Fund 1978.61 \u00a9 2006 Successi\u00f3 Mir\u00f3/Artists Rights Society (ARS), New York.",
     "url": "https://clevelandart.org/art/1978.61"
    },
    {
     "id": 150110,
     "accession_number": "1980.32",
     "title": "Pensive Face",
     "tombstone": "Pensive Face, 1929. Julio Gonz\u00e1lez (Spanish, 1876-1942). Iron mounted on painted wood; framed: 34.9 x 30.5 x 8.3 cm (13 3/4 x 12 x 3 1/4 in.); overall: 24.5 x 19.7 cm (9 5/8 x 7 3/4 in.). The Cleveland Museum of Art, Gift of Ralph King, by exchange 1980.32 \u00a9 Artists Rights Society (ARS), New York",
     "url": "https://clevelandart.org/art/1980.32"
    },
    {
     "id": 150459,
     "accession_number": "1981.25",
     "title": "Black and Red Series: Plate 4",
     "tombstone": "Black and Red Series: Plate 4, 1938. Joan Mir\u00f3 (Spanish, 1893-1983). Drypoint printed in red and black; image: 16.8 x 25.8 cm (6 5/8 x 10 3/16 in.). The Cleveland Museum of Art, Bequests of Charles T. Brooks and Grover Higgins by exchange 1981.25 \u00a9 Successi\u00f3 Mir\u00f3 / Artists Rights Society (ARS), New York / ADAGP, Paris",
     "url": "https://clevelandart.org/art/1981.25"
    },
    {
     "id": 152776,
     "accession_number": "1985.57",
     "title": "Bull Skull, Fruit, Pitcher",
     "tombstone": "Bull Skull, Fruit, Pitcher, 1939. Pablo Picasso (Spanish, 1881-1973). Oil on canvas; framed: 85.7 x 117.2 x 7 cm (33 3/4 x 46 1/8 x 2 3/4 in.); unframed: 65 x 92 cm (25 9/16 x 36 1/4 in.). The Cleveland Museum of Art, Leonard C. Hanna, Jr. Fund 1985.57 \u00a9 Estate of  Pablo Picasso / Artists Rights Society (ARS), New York",
     "url": "https://clevelandart.org/art/1985.57"
    },
    {
     "id": 162080,
     "accession_number": "2001.34",
     "title": "The Dream",
     "tombstone": "The Dream, 1931. Salvador Dal\u00ed (Spanish, 1904-1989). Oil on canvas; framed: 120 x 120 x 7.7 cm (47 1/4 x 47 1/4 x 3 1/16 in.); unframed: 96 x 96 cm (37 13/16 x 37 13/16 in.). The Cleveland Museum of Art, John L. Severance Fund 2001.34 \u00a9 Salvador Dali, Gala-Salvador Dali Foundation / Artists Rights Society (ARS), New York",
     "url": "https://clevelandart.org/art/2001.34"
    },
    {
     "id": 173643,
     "accession_number": "1932.719",
     "title": "Nude, Study for The Harem (Woman Washing Herself)",
     "tombstone": "Nude, Study for The Harem (Woman Washing Herself), 1905. Pablo Picasso (Spanish, 1881-1973). Watercolor; unframed: 63.6 x 48.3 cm (25 1/16 x 19 in.). The Cleveland Museum of Art, Hinman B. Hurlbut Collection 1932.719 \u00a9 Estate of  Pablo Picasso / Artists Rights Society (ARS), New York",
     "url": "https://clevelandart.org/art/1932.719"
    }
   ]
  }
 ]
}

{
 "data": {
  "id": 453138,
  "title": "Riemenschneider and Late Medieval Alabaster",
  "description": null,
  "organizer": "The Cleveland Museum of Art",
  "opening_date": "2023-03-26T04:00:00",
  "closing_date": "2023-07-23T04:00:00",
  "venues": [
   {
    "venue_id": 4712,
    "name": "The Cleveland Museum of Art",
    "start_date": "2023-03-26T04:00:00",
    "end_date": "2023-07-23T04:00:00"
   }
  ],
  "artworks": [
   {
    "id": 106123,
    "accession_number": "1924.224",
    "title": "Virgin and Child with an Apple",
    "tombstone": "Virgin and Child with an Apple, c. 1475. Martin Schongauer (German, c.1450\u20131491). Engraving; The Cleveland Museum of Art, Gift of Ralph King 1924.224",
    "url": "https://clevelandart.org/art/1924.224"
   },
   {
    "id": 119132,
    "accession_number": "1940.128",
    "title": "Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364\u20131404)",
    "tombstone": "Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364\u20131404), 1404\u20131410. Claus de Werve (Netherlandish, 1380\u20131439). Vizille alabaster; overall: 41.7 x 16.6 x 11.7 cm (16 7/16 x 6 9/16 x 4 5/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1940.128",
    "url": "https://clevelandart.org/art/1940.128"
   },
   {
    "id": 119143,
    "accession_number": "1940.129",
    "title": "Mourner from the Tomb of John the Fearless and Margaret of Bavaria",
    "tombstone": "Mourner from the Tomb of John the Fearless and Margaret of Bavaria, 1443\u201345. Jean de la Huerta (Spanish, active Burgundy, 1431\u201362). Salins alabaster; overall: 41 x 20.3 x 12.4 cm (16 1/8 x 8 x 4 7/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1940.129",
    "url": "https://clevelandart.org/art/1940.129"
   },
   {
    "id": 125103,
    "accession_number": "1946.82",
    "title": "Saint Jerome and the Lion (From the former Church of St. Peter in Erfurt)",
    "tombstone": "Saint Jerome and the Lion (From the former Church of St. Peter in Erfurt), c. 1495. Tilman Riemenschneider (German, active W\u00fcrzburg, c. 1460\u20131531). Alabaster, traces of polychromy; overall: 37.8 x 28.1 x 15.9 cm (14 7/8 x 11 1/16 x 6 1/4 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1946.82",
    "url": "https://clevelandart.org/art/1946.82"
   },
   {
    "id": 131814,
    "accession_number": "1954.387",
    "title": "The Archangel Gabriel from an Annunciation Group",
    "tombstone": "The Archangel Gabriel from an Annunciation Group, c. 1350. France, Champagne. Alabaster with traces of paint and gilding; overall: 56.5 x 26 x 10.5 cm (22 1/4 x 10 1/4 x 4 1/8 in.). The Cleveland Museum of Art, Purchase from the J. H. Wade Fund 1954.387",
    "url": "https://clevelandart.org/art/1954.387"
   },
   {
    "id": 135140,
    "accession_number": "1958.173",
    "title": "The Angel of the Annunciation\r\n",
    "tombstone": "The Angel of the Annunciation\r\n, c. 1470\u201375. Martin Schongauer (German, c.1450\u20131491). Engraving; The Cleveland Museum of Art, Dudley P. Allen Fund 1958.173",
    "url": "https://clevelandart.org/art/1958.173"
   },
   {
    "id": 135538,
    "accession_number": "1958.66",
    "title": "Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364-1404)",
    "tombstone": "Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364-1404), 1404\u201310. Claus de Werve (Netherlandish, 1380\u20131439). Vizille alabaster; overall: 41 x 12.7 x 15 cm (16 1/8 x 5 x 5 7/8 in.). The Cleveland Museum of Art, Bequest of Leonard C. Hanna, Jr. 1958.66",
    "url": "https://clevelandart.org/art/1958.66"
   },
   {
    "id": 135539,
    "accession_number": "1958.67",
    "title": "Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364\u20131404)",
    "tombstone": "Mourner from the Tomb of Philip the Bold, Duke of Burgundy (1364\u20131404), 1404\u201310. Claus de Werve (Netherlandish, 1380\u20131439). Vizille alabaster; overall: 41.1 x 17.6 x 11 cm (16 3/16 x 6 15/16 x 4 5/16 in.). The Cleveland Museum of Art, Bequest of Leonard C. Hanna, Jr. 1958.67",
    "url": "https://clevelandart.org/art/1958.67"
   },
   {
    "id": 166195,
    "accession_number": "2008.145",
    "title": "Enthroned Virgin and Child",
    "tombstone": "Enthroned Virgin and Child, c. 1480. Gil de Silo\u00e9 (Spanish, active c. 1475\u20131505). Alabaster with traces of gilding and polychromy; overall: 31.5 x 22.5 x 16 cm (12 3/8 x 8 7/8 x 6 5/16 in.). The Cleveland Museum of Art, John L. Severance Fund 2008.145",
    "url": "https://clevelandart.org/art/2008.145"
   },
   {
    "id": 453144,
    "accession_number": "2022.41",
    "title": "Two Standing Apostles (probably Saint John the Evangelist and St. Paul)",
    "tombstone": "Two Standing Apostles (probably Saint John the Evangelist and St. Paul), c. 1430. Master of the Saint-Omer Apostles (Southern Netherlandish, active Bruges?). Alabaster; overall: 23.7 x 9.3 x 5.8 cm (9 5/16 x 3 11/16 x 2 5/16 in.); overall: 23.7 x 10.2 x 5.9 cm (9 5/16 x 4 x 2 5/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund 2022.41",
    "url": "https://clevelandart.org/art/2022.41"
   },
   {
    "id": 453145,
    "accession_number": "2022.41.2",
    "title": "Standing Apostle (Saint Paul?)",
    "tombstone": "Standing Apostle (Saint Paul?), c. 1430. Master of the Saint-Omer Apostles (Southern Netherlandish, active Bruges?). Alabaster; overall: 23.7 x 9.3 x 5.8 cm (9 5/16 x 3 11/16 x 2 5/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund 2022.41.2",
    "url": "https://clevelandart.org/art/2022.41.2"
   },
   {
    "id": 453146,
    "accession_number": "2022.41.1",
    "title": "Standing Apostle (Probably Saint John the Evangelist)",
    "tombstone": "Standing Apostle (Probably Saint John the Evangelist), c. 1430. Master of the Saint-Omer Apostles (Southern Netherlandish, active Bruges?). Alabaster; overall: 23.7 x 10.2 x 5.9 cm (9 5/16 x 4 x 2 5/16 in.). The Cleveland Museum of Art, Severance and Greta Millikin Purchase Fund 2022.41.1",
    "url": "https://clevelandart.org/art/2022.41.1"
   }
  ],
  "links": [],
  "gallery_views_urls": null,
  "press_release_urls": null,
  "catalog_urls": null
 }
}

import json
import requests


def print_openaccess_results(keyword, skip=0, limit=100):
    url = "https://openaccess-api.clevelandart.org/api/artworks"
    params = {
            'q': keyword,
            'skip': skip,
            'limit': limit,
            'has_image': 1
        }

    r = requests.get(url, params=params)

    data = r.json()

    for artwork in data['data']:
        tombstone = artwork['tombstone']
        image = artwork['images']['web']['url']

        print(f"{tombstone}\n{image}\n---")

if __name__ == '__main__':
    print_openaccess_results("monet", 0, 10)

require 'net/http'
require 'json'


def print_openaccess_results(keyword, skip, limit)
    uri = URI("https://openaccess-api.clevelandart.org/api/artworks")
    params = {
        :q => keyword,
        :skip => skip,
        :limit => limit,
        :has_image => 1
    }

    uri.query = URI.encode_www_form(params)

    resp = Net::HTTP.get_response(uri)

    JSON.parse(resp.body)['data'].each do |artwork|
        tombstone = artwork['tombstone']
        image = artwork['images']['web']['url']

        puts "#{tombstone}\n#{image}\n---"
    end
end

print_openaccess_results "monet", 0, 10

const axios = require("axios");


const printOpenAccessResults = (keyword, skip, limit) => {
    const url = "https://openaccess-api.clevelandart.org/api/artworks"
    const params = {
            q: keyword,
            skip: skip,
            limit: limit,
            has_image: 1
        };

    const resp = axios(url, {params})
        .then((resp) => {
            for (const artwork of resp.data.data) {
                const tombstone = artwork.tombstone;
                const image = artwork.images.web.url;

                console.log(`${tombstone}\n${image}\n---`);
            }
        })
        .catch((e) => {
            console.log("ERROR getting artwork data");
            console.log(e);
        });
}

printOpenAccessResults("monet", 0, 10);

package main

import (
    "encoding/json"
    "fmt"
    "io/ioutil"
    "net/http"
)

type ParsedData struct {
    Artworks []struct {
        Tombstone string `json:"tombstone"`
        Images struct {
            Web struct {
                Url string `json:"url"`
            } `json:"web"`
        } `json:"images"`
    } `json:"data"`
}

func main() {
    apiUrl := "https://openaccess-api.clevelandart.org/api/artworks"
    keyword := "monet"
    skip := "0"
    limit := "10"

    client := &http.Client{}
    req, _ := http.NewRequest("GET", apiUrl, nil)

    q := req.URL.Query()
    q.Add("q", keyword)
    q.Add("skip", skip)
    q.Add("limit", limit)
    req.URL.RawQuery = q.Encode()

    resp, _ := client.Do(req)
    defer resp.Body.Close()

    data, _ := ioutil.ReadAll(resp.Body)

    var parsedData ParsedData
    err := json.Unmarshal([]byte(data), &parsedData)

    if err != nil {

    }

    artworks := parsedData.Artworks

    for _, artwork := range artworks {
        fmt.Println(artwork.Tombstone)
        fmt.Println(artwork.Images.Web.Url)
        fmt.Println("---")
    }
}

import requests, json

def post_a_file(filepath, params={}):
    url = "https://openaccess-api.clevelandart.org/api/artworks"
    
    with open(filepath, 'rb') as f:
        file_data = {
            'file': f
        }
        r = requests.post(url, data=params, files=file_data)
    
    data = r.json()
    return data

def get_similar_images(filepath):
    data = post_a_file(filepath)
    
    for artwork in data['data']:
        print(artwork['accession_number'])
        print(artwork['images']['web']['url'])

if __name__ == '__main__':
    filepath = '/home/user/you_image.jpg' # replace with your file path
    
    get_similar_images(filepath)